All Too Human

Is the only book dealing with philosophies of humor, comedy, and laughter in the 19th Century

Helps distinguish among aesthetic categories such as humor, comedy, laughter, irony, wit, and satire

Considers compelling and under-researched questions in the dynamic history of 19th Century philosophy

Autorentext

Lydia L. Moland is Associate Professor of Philosophy at Colby College. She is the author of "Hegel on Political Identity: Patriotism, National Identity, Cosmopolitanism" and of numerous articles on Hegel's political philosophy and philosophy of art. She has been a recipient of fellowships from the American Academy of Berlin, the DAAD, the American Council of Learned Societies, and the National Endowment for the Humanities.

Inhalt
Chapter 1. Introduction (Lydia Moland).- Chapter 2. The Ends of Art: Hegel on Comedy and Humor from Aristophanes to Jean Paul (Lydia Moland).- Chapter 3. Schlegel on Humor and Comedy (Katia Hay).- Chapter 4. Jean Paul on Humor (William Coker).- Chapter 5. Caricature, Philosophy and the Aesthetics of the Ugly: Some Questions for Rosenkranz (Allen Speight).- Chapter 6. Humor as Redemption in the Pessimistic Philosophy of Julius Bahnsen (Frederick Beiser).- Chapter 7. Schopenhauer's Incongruity Theory of Humor (Robert Wicks).- Chapter 8. 'What Time Is It?....Eternity': Kierkegaard's Socratic Use of Hegel's Insights on Romantic Humor (Marcia Robinson).- Chapter 9. Jest as Humility: Kierkegaard and the Possibility of Virtue (John Lippitt).- Chapter 10. The Divine Hanswurst: Nietzsche on Laughter and Comedy (Matthew Meyer).- Chapter 11. Bergson's On Laughter (Keith Ansell-Pearson).