The Czech Avant-Garde Literary Movement Between the World Wars

The Czech Avant-Garde Literary Movement Between the Two World Wars tells the little-known story of the renaissance of Czech literary arts in the period between the two world wars. In his analyses of the writings of this period, Thomas G. Winner illuminates the aesthetic and linguistic characteristics of these works and shows how poetry and linguistics can be combined.

The Czech Avant-Garde Literary Movement Between the Two World Wars tells the little-known story of the renaissance of Czech literary arts in the period between the two world wars. The avant-garde writers during this period broke down the barrier between the elite literary language and the vernacular and turned to spoken language, substandard forms, everyday sources such as newspapers and detective stories, and forms of popular entertainment such as the circus and the cabaret. In his analyses of the writings of this period, Thomas G. Winner illuminates the aesthetic and linguistic characteristics of these works and shows how poetry and linguistics can be combined. The Czech Avant-Garde Literary Movement Between the Two World Wars is essential reading for courses on modern Czech literature, comparative literature, and Slavic literature.

Autorentext

Thomas G. Winner was born in Prague. He left Czechoslovakia in 1939 to attend Harvard University, where he had won one of the coveted fellowships designed to get students out of Nazi-occupied Europe. He received his BA and his MA from Harvard and his PhD from Columbia University. He was a Professor of Slavic Languages and Comparative Literature at Duke University, University of Michigan, and Brown University. At Brown he directed the Center for Research in Semiotics. He was awarded an honorary degree from Masaryk University in Brno in 1995. In 1997 he was awarded the Dobrovsky Medal from the Academy of Sciences of the Czech Republic, and in 1988 received the Laureate Memorial Medal on the occasion of the 650th anniversary of Charles University in Prague. His previous books include Kazakh Literature and Oral Art and Chekhov and His Prose as well as many edited volumes and over 160 scholarly articles.

Inhalt

Contents: The Antecedents The Proletarian Movement and the Evolution of Poetist Theory The Poetist Practice of Vít zslav Nezval The Poetist Practice of Jaroslav Seifert The Poetist Prose of Vladislav Van ura The Relation of the Prague Linguistic Circle to Poetism From Poetism to Surrealism.