Letters to a Writer of Colour

Deepa Anappara grew up in Kerala, southern India, and worked as a journalist in cities including Mumbai and Delhi. Her reports on the impact of poverty and religious violence on the education of children won the Developing Asia Journalism Awards, the Every Human has Rights Media Awards, and the Sanskriti-Prabha Dutt Fellowship in Journalism. A partial of her debut novel, Djinn Patrol on the Purple Line , won the Lucy Cavendish Fiction Prize, the Bridport/Peggy Chapman-Andrews Award and the Deborah Rogers Foundation Writers Award. Published in 2020, it has since been named as one of the best books of the year by The New York Times , Washington Post , Time and NPR. It won the Edgar Award for Best Novel, was longlisted for the Women''s Prize for Fiction 2020, and shortlisted for the JCB Prize for Indian Literature. Deepa has an MA in Creative Writing and is currently studying for a PhD. Taymour Soomro was born in Lahore, Pakistan. He read law at Cambridge University and Stanford Law School. He has worked as a corporate solicitor in New York and Milan, a law lecturer at a university in Karachi, an agricultural estate manager in rural Pakistan and a publicist for a luxury fashion brand in London. Soomro has an MA in Creative Writing and a PhD in Creative and Critical Writing. He has written extensively for the Pakistani news media. His short fiction has been published in The New Yorker , The Southern Review and Ninth Letter . His debut novel, Other Names for Love , will be published by Harvill Secker in 2022.

Klappentext

Filled with empathy and wisdom, personal experiences and creative inspiration, this is a vital collection of essays on the power of literature and the craft of writing from an international array of writers of colour.

*'Electric essays that speak to the experience of writing from the periphery . . . a guide, a comfort, and a call all at once' Laila Lalami, author of Conditional Citizens*

'A whip-smart collection' Kamila Shamsie, author of Best of Friends**

What if we reconsidered our assumptions about how fiction should be written? And can we then apply our discoveries to both what we read and how we read? This book explores these questions and encourages us into a more inclusive conversation about storytelling, featuring:

Taymour Soomro on resisting rigid stories about who you are
Madeleine Thien on how writing builds the room in which it can exist
Amitava Kumar on why authenticity isn't a license we carry in our wallets
Tahmima Anam on giving herself permission to be funny
Ingrid Rojas Contreras on the bodily challenge of writing about trauma
Zeyn Joukhadar on queering English and the power of refusing to translate ourselves
Kiese Laymon on hearing that no one wants to read the story that you want to write
Deepa Anappara on writing even through conditions that impede the creation of art

Plus essays from Tiphanie Yanique, Xiaolu Guo, Jamil Jan Kochai, Vida Cruz-Borja, Femi Kayode, Nadifa Mohamed in conversation with Leila Aboulela, Myriam Gurba, Mohammed Hanif and Sharlene Teo.

'This book is essential' Nikesh Shukla

'Bracing and moving . . . No one interested in how we read and should read fiction can afford to miss this' Pankaj Mishra, author of Run And Hide

Zusammenfassung

A vital collection of essays on the power of literature and the craft of writing from an international array of writers of colour, sharing the experiences, cultural traditions and convictions that have shaped them and their work.

'Electric essays that speak to the experience of writing from the periphery . . . a guide, a comfort, and a call all at once' Laila Lalami, author of Conditional Citizens

Filled with empathy and wisdom, instruction and inspiration, this book encourages us to re-evaluate the codes and conventions that have shaped our assumptions about how fiction should be written, and also challenges us to apply its lessons to both what we read and how we read. Featuring:

• Taymour Soomro on resisting rigid stories about who you are
• Madeleine Thien on how writing builds the room in which it can exist
• Amitava Kumar on why authenticity isn't a license we carry in our wallets
• Tahmima Anam on giving herself permission to be funny
• Ingrid Rojas Contreras on the bodily challenge of writing about trauma
• Zeyn Joukhadar on queering English and the power of refusing to translate ourselves
• Myriam Gurba on the empowering circle of Latina writers she works within
• Kiese Laymon on hearing that no one wants to read the story that you want to write
• Mohammed Hanif on the censorship he experienced at the hands of political authorities
• Deepa Anappara on writing even through conditions that impede the creation of art
• Plus essays from Tiphanie Yanique, Xiaolu Guo, Jamil Jan Kochai, Vida Cruz-Borja, Femi Kayode, Nadifa Mohamed in conversation with Leila Aboulela, and Sharlene Teo

The start of a more inclusive conversation about storytelling, Letters to a Writer of Colour will be a touchstone for aspiring and working writers and for curious readers everywhere.