Indigenous Media and Popular Culture in the Philippines

This book argues that the production of media content, literature, and other forms of popular culture by Indigenous peoples (IPs), as well as their involvement as advisors, sources, or interviewees, serves as a platform for them not only to showcase their creativity but also to mediate their cultures, identities, worldviews, and activism. Through an examination of specific case studies of indigenous media and popular culture in the Philippines using textual and ethnographic methods, the chapters in this book shed light on the politics of representation, narratives of resistance, and self-representation and mediation of indigeneity and culture. They emphasize the crucial importance of addressing these issues to promote the recognition and empowerment of IPs, not only within the Philippines but also across Southeast Asia and the global context.

1st book featuring roles and significance of indigenous media and pop culture in the Philippines Provides in-depth discussions of the roles, significance, politics of indigenous media, and pop culture production Contributes new approaches in examining products by/for indigenous peoples in the Philippines and Southeast Asia

Autorentext

Jason Paolo Telles is the Founder and Founding Executive Director of the Southeast Asian Media Studies Association (SEAMSA), an international, non-profit, non-government academic community that is actively committed to the study of media within the context of Southeast Asia. His research centers on critical media histories, indigenous media, the mediation of culture and/or the environment in media and popular culture, and the study of media within the context of Southeast Asian countries. Jason has also co-edited the Springer-published book Environment, Media, and Popular Culture in Southeast Asia with John Charles Ryan and Jeconiah Louis Dreisbach in 2022.

Inhalt

1. Indigenous Media and Popular Culture Studies in the Philippines.- Part I. The indigenous in contemporary regional films.- 2. Negotiations on Necropolitics and Death in the Cinema on the Indigenous Peoples of Mindanao.- 3. Distress in the Agusan Marshlands: Mapping Landscapes of Fear In Francis Xavier Pasion's Bwaya (2014).- Part II. Self representation, resistance, and counternarratives.- 4. Igorot Self-Representation in The #ProudToBeAnIgorot_Challenge on Facebook.- 5. Contemporary Vernacular Music Broadcasting and Indigenous Cultural Mediation in Baguio City, Philippines.- 6. Reflexive Performance in Digital Spaces as Cultural Agency among the Manobo-Pulanguiyen.- 7. Reframing and Reclaiming Kulintang Music: Countering Written History with Contemporary Reality.- Part III. Configurations of space, values, and histories.- 8. When Lumad Youth (Re)write the Indigenous and The Juvenile: Constructiveness In Children's Books told by Children.- 9. Lumad Indigenous Values and Voices inCitizen and Alternative News.- 10. The Redness of Balitok in Ibaloy Folklore and Literature.- 11. Space, Memory, and the Right to be Remembered: The Case of the Heroes' Monument of the Butbut Tribe in Kalinga Province.