Jimi Hendrix and the Cultural Politics of Popular Music

This book, on Jimi Hendrix's life, times, visual-cultural prominence, and popular music, with a particular emphasis on Hendrix's relationships to the cultural politics of race, gender, sexuality, ethnicity, class, and nation. Hendrix, an itinerant Gypsy and Voodoo child whose racialized freak visual image continues to internationally circulate, exploited the exoticism of his race, gender, and sexuality and Gypsy and Voodoo transnational political cultures and religion. Aaron E. Lefkovitz argues that Hendrix can be located in a legacy of black-transnational popular musicians, from Chuck Berry to the hip hop duo Outkast, confirming while subverting established white supremacist and hetero-normative codes and conventions. Focusing on Hendrix's transnational biography and centrality to US and international visual cultural and popular music histories, this book links Hendrix to traditions of blackface minstrelsy, international freak show spectacles, black popular music's global circulation, and visual-cultural racial, gender, and sexual stereotypes, while noting Hendrix's place in 1960s countercultural, US-exceptionalist, cultural Cold War, and rock histories.

Provides novel descriptions of Hendrix's popular music, linking him to broader contextual and historical questions of the countercultural 1960s and black-transnational political-cultures Centers Hendrix in a popular musical and visual-cultural Black Atlantic, and connects him to questions of race, gender, sexuality, ethnicity, class, and nation Addresses ways in which Hendrix was a distinctively global symbol of threatening & non-threatening black masculinity, with connections to additional African-American performers

Autorentext
Aaron E. Lefkovitz teaches US, Latin-American, and African-American Histories and Humanities at the City Colleges of Chicago, DePaul University, and the University of Wisconsin, Parkside. His published works focus on the transnational cultural politics of race, gender, sexuality, ethnicity, class, and nation, with in-depth studies of such figures as Louis Armstrong, Duke Ellington, Miles Davis, Lena Horne, Dorothy Dandridge, Queen Latifah, Josephine Baker, Billie Holiday, Ella Fitzgerald, and Bob Dylan.

Klappentext

This book, on Jimi Hendrix s life, times, visual-cultural prominence, and popular music, with a particular emphasis on Hendrix s relationships to the cultural politics of race, gender, sexuality, ethnicity, class, and nation. Hendrix, an itinerant Gypsy and Voodoo child whose racialized freak visual image continues to internationally circulate, exploited the exoticism of his race, gender, and sexuality and Gypsy and Voodoo transnational political cultures and religion. Aaron E. Lefkovitz argues that Hendrix can be located in a legacy of black-transnational popular musicians, from Chuck Berry to the hip hop duo Outkast, confirming while subverting established white supremacist and hetero-normative codes and conventions. Focusing on Hendrix s transnational biography and centrality to US and international visual cultural and popular music histories, this book links Hendrix to traditions of blackface minstrelsy, international freak show spectacles, black popular music s global circulation, and visual-cultural racial, gender, and sexual stereotypes, while noting Hendrix s place in 1960s countercultural, US-exceptionalist, cultural Cold War, and rock histories.

Inhalt

1. Jimi HendrixGypsy Eyes, Voodoo Child, and Countercultural Symbol.- 2. I Don't Want to Be a Clown Anymore: Jimi Hendrix as Racialized Freak and Black-Transnational Icon.- 3. Jimi Hendrix and Black-Transnational Popular Music's Global Gender and Sexualized Histories.- 4. Jimi Hendrix, the 1960s Counterculture, and Confirmations and Critiques of US Cultural Mythologies.- 5. Conclusion.