Next Level Screenwriting

Next Level Screenwriting is an intermediate screenwriting book, for those that have already learned the basics of screenwriting, written a screenplay or two already and want to bring their writing and stories to the next level.

Each chapter of the book examines a specific aspect of screenwriting, such as character, dialogue and

Zusatztext 'Whether you're writing your first script or your twentieth, this book will help you take your screenplay to the next level. An absorbing read great examples and explanations from well-known films and television shows, all with practical applications to your own work!'Anna Weinstein, Series Editor, PERFORM: Succeeding as a Creative Professional, and Screenwriting Instructor, Auburn University"David Landau and David Bennett Carren are two professionals who complement the craft of screenwriting with practical experience from the industry trenches. This new book bridges the gap for emerging writers who often find themselves energized to learn beyond formatting basics and struggling to produce quality scripts that hold readers interest. This intermediate level books is ideal for faculty aiming for students to write their first feature length scripts while continuing to develop more imaginative storytelling skills."- Joseph Giomboni, ABD Screenwriter, Assistant Professor of Communications, Keystone College"Next Level Screenwriting, by David Landau and David Bennet Carren, is not simply a useful, insightful book. It goes into none of the tropes common to most academic screenwriting works the three-act structure, the Hero's Journey, the Rule of Three, how to format though these are all important points to master, to be sure. But this book doesn't bother with all that. This book is a User's Manual.The focus of this How-To is in the nuts and bolts of crafting a narrative script and getting it into the marketplace. This is done through examples of well-known films and TV shows, analysis of what worked and what didn't, and why; as well as entertaining anecdotes from the writers' own careers in the Industry trenches.The authors cover a dozen areas useful for a journeyman screenwriter to wrestle with ways to think about a script, ways to deepen it. Right from the start it embraces the notion of genre, the benefits of choosing a good match for the story being told, in order to take advantage of the genre's established rules and then how to break those rules when the occasion calls for it.There's a chapter on how to be conscious of the masks that the characters wear, and how to reveal what's beneath them; a chapter on making good use of the voiceover narrative; a chapter on set-ups, payoffs, and twists. This is all part of the craft and skillset of scriptwriting, as opposed to the "idea" of scriptwriting.It ends with a few issues often not covered. First, how to write within a budget which will inevitably require a rewrite if the writer is lucky enough to get a script produced. This leads to the important lesson of rewriting the numerous drafts most scripts should go through, to really cut away the dross and end up with the best possible screenplay. Rewriting is a critical skill, and the authors do a great service to address it.And finally, the book looks at how to turn a script into a movie: what the marketplace is all about, how to break into it, or how to avoid it, if that's what you want.This is an engaging, enlightening book both personable and professional and I can't recommend it highly enough for anyone who wants to throw their hat in the ring of fire that is film and television production. Five Stars and those are Hollywood Stars."James Kahn - Award-winning feature film producer (The Bet), Emmy-nominated television writer-producer (All My Children, Star Trek: Voyager, Melrose Place), and New York Times #1 Bestselling author (Return of the Jedi). Informationen zum Autor Graduado de Harvard College y exeditor del diario Harvard Crimson, David Landau escribió y editó varios libros sobre temas cubanos. Ricardo Bofill, quien estableció el movimiento cubano pro derechos humanos, elogió a Landau por su "dedicación, minuciosa y rigurosa, al estudio de la nación y de la sociedad cubana". Klappentext Next Level Screenwriting is an intermediate screenwriting book, for...

Autorentext

Graduado de Harvard College y exeditor del diario Harvard Crimson, David Landau escribió y editó varios libros sobre temas cubanos. Ricardo Bofill, quien estableció el movimiento cubano pro derechos humanos, elogió a Landau por su "dedicación, minuciosa y rigurosa, al estudio de la nación y de la sociedad cubana".

Klappentext

Next Level Screenwriting is an intermediate screenwriting book, for those that have already learned the basics of screenwriting, written a screenplay or two and want to bring their writing and stories to the next level. Each chapter of the book examines a specific aspect of screenwriting, such as character, dialogue and theme, and then provides the reader with ideas, tips and inspiration to apply to their own writing. Rather than being another "how to" book, this volume features a variety of case studies and challenging exercises throughout - derived from a broad selection of successful feature films and TV shows from the 1940s to the present day - to help spark the imagination of the writer as they work through different styles and approaches of screenwriting. An absolute must-read for any screenwriter wanting to improve their writing and storytelling skills.

Inhalt

Introduction

Chapter 1: Don't be afraid of Genre - keeping your promise to your viewer

• Enjoying the Genre

• Crossing Genres

• A Final Note Chapter 2: The Write Approach - Finding how to approach telling your story and the
  point of attach

• Motivated Style

• The Internal Approach

• Maintaining an Established Style

• Style that fits the Genre Chapter 3: Character depth - Thinking about more layered characters and their motivations

• Character Motivation

• the Character Mask

• Humor as Character

• the Other Character Change

• Television Characters Chapter 4: Dialogue that does more than further the plot

• A Distinct Voice

• Attitude Dialogue

• Period Dialogue

• Dialogue that Reveals Character

• Poetic dialog

• Contemporary Dialogue

• When Talk is Action Chapter 5: Poetic Description - Writing your settings can be as creative as writing your story

• Choosing Your Words

• Describing for the Mind's Eye

• Writing for the Reader

• Humorously Said Chapter 6: Finding the Theme - Discovering what your writing is all about

• Popular Movies have Themes

• Shared Themes of Westerns & Horror

• We have met the Enemy and they are us

• The Stronger the Theme the Stronger the Story

• Even Comedy has a Theme

• The Naked Theme Chapter 7; First Person Narrative Screenwriting - Writing voice over narration and found footage stories

• Narration that isn't a Crutch

• Hardboiled Wit Narration

• Found Footage as First Person

• Mockumentary) Chapter 8: Dealing with Multiple Protagonist Syndrome or Navigating the ensemble screenplay

• Ensemble vs Episodic

• Linking Stories

• Playing with Time

• Ensemble Characters

• Reoccurring Locations

• The Ensemble Anchor

• Ensemble in the Park

• The Trouble with Ensemble

  Chapter 9: Based on True Events & Research - Writing the core of the truth without being boring

• Adapting History

• Free yourself from the Truth

• Find a Special Event in History

• Find a Special Place in History

• Research that Works for You

• This All Applies to Television Chapter 10: Set-up, Pay-off and the Twist - Writing in things that go around and came around

• Twilight Zone Set-up/Pay-off

• Twist Endin…