Regimes of Invisibility in Contemporary Art, Theory and Culture

An innovative transdisciplinary approach that affirm critical thinking at the intersection of art, culture and politics
Provides an original viewpoint on global capitalism in relation to questions of race, class, gender and migration
Firmly embedded in the present moment, when due to rapid and major changes on all levels of political and social reality there is a need for rearticulations in theoretical practices and rethinking of historical narratives

Autorentext
Marina Grinic (PhD) is a philosopher and artist who lives in Ljubljana and works in Ljubljana and Vienna. She is researcher at the FI SRC SASA (Research Center of the Slovenian Academy of Science and Arts) Ljubljana and professor at the Academy of Fine Arts in Vienna.

Aneta Stojnic (PhD) is a Belgrade-born theoretician, artist and curator. She is assistant professor at the Faculty of Media and Communications in Belgrade.
Miko uvakovic (PhD) is Dean of Faculty for Media and Communications, Singidunum University, Belgrade, and professor of theory of art and media in the PhD program of transdisciplinary humanities and theory of art.
Contributions by: Marina Grini, Adla Isanovi, Alanna Lockward, Federica Martini, Aleksa Milanovi, Andrea Pócsik, Aneta Stojni, Miko uvakovi, efik Tatli, Jelena Todorovi

Inhalt

1. Introduction: Image, Racialization, History.- 2. Racialized bodies, and the digital (financial) mode of production.- 3. Politics and Aesthetics of Databases and Forensics.- 4. The Emancipation of Necrocapitalism: Teleological Function of Liberalism and the Optimization of Hegemony.- 5. Influence of Western Society on Identity Politics of Sexual and Gender Minorities in Colonial and Post-Colonial India.- 6. Radical Contemporaneity: Politics of the Image in Videos by Grinic & mid.- 7. Affective Constructions: Image Racialization History.- 8. Spiritual Revolutions: Afropean Body Politics and the 'Secularity' of the Arts.- 9. Contingent monuments: Constructions of Publicness in the Fascist Italy Exhibition Complex, 1920s-1940s.- 10. Screened Otherness: A Media Archaeology of Romani Criminalization.- 11. An Image and its Histories: The Uncovering of Rembrandt's Masterpiece Lost During the Second World War.-