Rethinking Dance History

The need to discuss, question and rethink dance history has not diminished in the decade since Rethinking Dance History first published. ** Everyone involved with dance creates and carries with them a history, and this book explores the ways in which these histories can be used in making dance - from memories that establish identity and form resonances, to re-invention or preservation through shared and personal heritages. It also opens up the ways in which knowledge and understanding of dance history can be important for scholars, philosophers, choreographers, dancers and students. This is an essential starting point for anyone trying to analyse, explain or think about the history and directions of dance.

The need to 'rethink' and question the nature of dance history has not diminished since the first edition of Rethinking Dance History. This revised second edition addresses the needs of an ever-evolving field, with new contributions considering the role of digital media in dance practice; the expansion of performance philosophy; and the increasing importance of practice-as-research. A two-part structure divides the book's contributions into:

• Why Dance History? - the ideas, issues and key conversations that underpin any study of the history of theatrical dance.

• Researching and Writing - discussions of the methodologies and approaches behind any successful research in this area.

Everyone involved with dance creates and carries with them a history, and this volume explores the ways in which these histories might be used in performance-making - from memories which establish identity to re-invention or preservation through shared and personal heritages. Considering the potential significance of studying dance history for scholars, philosophers, choreographers, dancers and students alike, Rethinking Dance History is an essential starting point for anyone intrigued by the rich history and many directions of dance.

Autorentext

Geraldine Morris is a Reader in Dance and Programme Leader of the MA in Ballet Studies at the University of Roehampton.

Larraine Nicholas is Honorary Research Fellow in the Dance Department at the University of Roehampton.

Klappentext

The need to 'rethink' and question the nature of dance history has not diminished since the first edition of Rethinking Dance History. This revised second edition addresses the needs of an ever-evolving field, with new contributions considering the role of digital media in dance practice; the expansion of performance philosophy; and the increasing importance of practice-as-research. A two-part structure divides the book's contributions into: Why Dance History? - the ideas, issues and key conversations that underpin any study of the history of theatrical dance. Researching and Writing - discussions of the methodologies and approaches behind any successful research in this area. Everyone involved with dance creates and carries with them a history, and this volume explores the ways in which these histories might be used in performance-making - from memories which establish identity to re-invention or preservation through shared and personal heritages. Considering the potential significance of studying dance history for scholars, philosophers, choreographers, dancers and students alike, Rethinking Dance History is an essential starting point for anyone intrigued by the rich history and many directions of dance.

Inhalt

Part One

INTRODUCTION: WHY DANCE HISTORY?

Geraldine Morris and Larraine Nicholas

1. MEMORY, HISTORY AND THE SENSORY BODY: DANCE, TIME, IDENTITY ** Larraine Nicholas

2. CARA TRANDERS'S REVERIES By herself

3. BEYOND FIXITY: AKRAM KHAN ON THE POLITICS OF DANCING HERITAGES Royona Mitra

4. AFRICAN-AMERICAN DANCE REVISITED: UNDOING MASTER NARRATIVES IN THE STUDYING AND TEACHING OF DANCE HISTORY Takiyah Nur Amin

5. DANCE WORKS, CONCEPTS AND HISTORIOGRAPHY Anna Pakes

6. RECONSTRUCTION AND DANCE AS EMBODIED TEXTUAL PRACTICE Helen Thomas

7. PRESERVING THE REPERTORY AND EXTENDING THE HERITAGE OF MERCE CUNNINGHAM
   Karen Eliot

8. MAKING DANCE HISTORY LIVE PERFORMING THE PAST**
   Henrietta Bannerman

Part Two

INTRODUCTION: RESEARCHING AND WRITING

Geraldine Morris and Larraine Nicholas

1. DESTABILISING THE DISCIPLINE: CRITICAL DEBATES ABOUT HISTORY AND THEIR IMPACT ON THE STUDY OF DANCE Alexandra Carter

2. DECOLONISING DANCE HISTORY Prarthana Purkayastha

3. MANY SOURCES, MANY VOICES Lena Hammergren

4. 'DREAM NO SMALL DREAMS!': IMPOSSIBLE IMAGINARIES IN DANCE COMMUNITY ARCHIVING IN A DIGITAL AGE Astrid von Rosen

5. WHEN PLACE MATTERS: PROVINCIALIZING THE 'GLOBAL' Emily E. Wilcox

6. CONSIDERING CAUSATION AND CONDITIONS OF POSSIBILITY: PRACTITIONERS AND PATRONS OF NEW DANCE IN PROGRESSIVE-ERA AMERICA Linda J. Tomko

7. 'DANCIN' IN THE STREET': STREET DANCING ON FILM AND VIDEO FROM FRED ASTAIRE TO MICHAEL JACKSON Beth Genné

8. JUDSON: REDUX AND REMIX Marcia B. Siegel

9. RUTH PAGE, FEMININE SUBJECTIVITY, AND GENERIC SUBVERSION
   Joellen A. Meglin

10. EXTENSIONS: ALONZO KING AND BALLET'S LINES
    Jill Nunes Jensen

11. GISELLE AND THE GOTHIC: CONTESTING THE ROMANTIC IDEALISATION OF THE WOMAN
    Geraldine Morris