Shakespeare's Use of Five Senses in his Five Tragedies

It's an experience to deal Shakespearean world-reality on all available commands of sign-using capability on all binary levels from black to white and vice to virtue. Shakespeare's force of intelligibility directly stems up from his sensory content of five senses that holds back the microscopic visibility of constructional web from all binary relations via parallels to oppositions, to follow its scientific and physical cognition from, and this work is trying to apprehend more closeness of 'sign'. The confidence of this proximity will provide us the studies of post-structuralist and post-modernist views and shades in Shakespearean perceptual involvements.

Autorentext

A playwright, poet, translator and Haikuist in Urdu, Pashto and English, Dr. Naseem Achakzai born in Chaman (city of Pakistan, near to Afghan border), wrote and acted main roles in Radio and TV plays since 1976. He rendered the selected poems of William Blake, William Wordsworth and P. B. Shelley and Kafka's The Trial in Pashto.