Street Performers and Society in Urban Japan, 1600-1900

For some three hundred years the city of Edo/Tokyo was the centre of arts, both sacred and secular. This book presents a thoroughly researched and documented study of music, theatre, recitation, and dance in Edo/Tokyo. It goes beyond outlining the nature of the performances to explore the vast complexity of social relations which lay behind them, covering topics like the obligation of gift-giving on the part of observers, performers who were often migrants fallen on hard times, and how performance related to social class. The book discusses how performance, and witnessing and rewarding performance, was closely bound up with economy, society, religion and government.

Zusatztext "Street Performers offers an abundance of useful information at a close reading..."Laura Nenzi! University of Tennessee! Monumenta Nipponica Informationen zum Autor Gerald Groemer is Professor of Ethnomusicology and Western Musicology at Univeristy of Yamanashi, Kofu, Japan. Klappentext This book presents a thoroughly researched and meticulously documented study of the emergence, development, and demise of music, theatre, recitation, and dance witnessed by the populace on thoroughfares, plazas, and makeshift outdoor performance spaces in Edo/Tokyo. For some three hundred years this city was the centre of such arts, both sacred and secular. This study outlines the nature of the performances, explores the social relations which lay behind them, and reveals vast complexity: an obligation of gift-giving on the part of observers; performers who were often economic migrants fallen on hard times; relations of performance to social class; a class system much more finely gradated than the official four caste system; and institutions of professional organization and registration, enforced by government, with penalties for unregistered performers. The book discusses how performing, witnessing, and rewarding performance were closely bound up with economy, society and government, how the interaction between various groups related to socio-economic advancement, how the system of street performance reinforced social control, and how the balance between different groups shifted over time. Zusammenfassung This book presents a thoroughly researched and meticulously documented study of the emergence, development, and demise of music, theatre, recitation, and dance witnessed by the populace on thoroughfares, plazas, and makeshift outdoor performance spaces in Edo/Tokyo. For some three hundred years this city was the centre of such arts, both sacred and secular. This study outlines the nature of the performances, explores the social relations which lay behind them, and reveals vast complexity: an obligation of gift-giving on the part of observers; performers who were often economic migrants fallen on hard times; relations of performance to social class; a class system much more finely gradated than the official four caste system; and institutions of professional organization and registration, enforced by government, with penalties for unregistered performers. The book discusses how performing, witnessing, and rewarding performance were closely bound up with economy, society and government, how the interaction between various groups related to socio-economic advancement, how the system of street performance reinforced social control, and how the balance between different groups shifted over time. Inhaltsverzeichnis Introduction 1.Conditions of Possibility: Economic, Political, and Ideological 2. Outcast(e) Street Performers 3. Gods and Spirits in the Streets 4. Gomune and their Arts 5. Yashi: Performance, Advertisement, Production 6. The Aftermath of Meiji: Conditions of Impossibility ...

Autorentext

Gerald Groemer is Professor of Ethnomusicology and Western Musicology at Univeristy of Yamanashi, Kofu, Japan.

Klappentext

This book presents a thoroughly researched and meticulously documented study of the emergence, development, and demise of music, theatre, recitation, and dance witnessed by the populace on thoroughfares, plazas, and makeshift outdoor performance spaces in Edo/Tokyo. For some three hundred years this city was the centre of such arts, both sacred and secular. This study outlines the nature of the performances, explores the social relations which lay behind them, and reveals vast complexity: an obligation of gift-giving on the part of observers; performers who were often economic migrants fallen on hard times; relations of performance to social class; a class system much more finely gradated than the official four caste system; and institutions of professional organization and registration, enforced by government, with penalties for unregistered performers. The book discusses how performing, witnessing, and rewarding performance were closely bound up with economy, society and government, how the interaction between various groups related to socio-economic advancement, how the system of street performance reinforced social control, and how the balance between different groups shifted over time.

Inhalt

Introduction 1.Conditions of Possibility: Economic, Political, and Ideological 2. Outcast(e) Street Performers 3. Gods and Spirits in the Streets 4. Gmune and their Arts 5. Yashi: Performance, Advertisement, Production 6. The Aftermath of Meiji: Conditions of Impossibility