The Cultural Production of Social Movements

The Cultural Production of Social Movements offers a theory of cultural practices, protest tactics, strategic planning and deliberation, and movement organizational structures: ideological contention. It is a theory of ideology from below. The Cultural Production of Social Movements shows how conflictsboth with external political forces and disagreements, dissensus, and the decision-making process internal to social movementsproduce knowledge and meanings that, in turn, impact upon and change the practices that contribute to how social movements are structured and organized. The Cultural Production of Social Movements theorizes the relationship between consciously held superordinate ideas, the changing composition of progressive and oppositional social struggles, and the social worlds they hope to inhabit. Analyzing the Black Panther Party, specifically Kathleen Cleaver's break with the Student Non-violent Coordinating Committee and her contributions to the Party, Operaismo (or Workerism) in Italy and the relationship between shifting organizational strategies, inventive tactics, and novel and expansive ways to theorize class struggles, and the communal composition of Worker-Recovered Enterprise Movements in contemporary Argentina, this book shows how movement ideologies change and how meanings structure organizations, mobilizations, and futures. In The Cultural Production of Social Movements ideology is neither a static set of principles, nor is an unconscious orientation towards power and governance. Rather, it is the contentious, democratizing, and deliberative processeswhich become realized as tactics in protests, struggles, defeats, and victoriesthat makes the relationship between movements, and what they mean conscious to its participants.

Theorizes ideology from the concrete practices of social justice movements Adopts an interdisciplinary approach using cultural theory, critical theory, and social movement studies Argues that ideological struggle is located in practices of social movements such as the Black Panther Party

Autorentext

Robert F. Carley is Associate Professor of International Affairs in the Bush School of Government and Public Service at Texas A&M University. He is Vice President and President Elect of the Cultural Studies Association and is co-editor of Lateral: Journal of the Cultural Studies Association. He is the author and editor of eight books, most recently Cultural Studies in the Interregnum (Temple University Press, Forthcoming), Cultural Studies Methodology and Political Strategy (Palgrave Macmillan), and Culture and Tactics: Gramsci, Race, and the Politics of Practice (State University of New York Press).

Klappentext

The Cultural Production of Social Movements offers a theory of cultural practices, protest tactics, strategic planning and deliberation, and movement organizational structures: ideological contention. It is a theory of ideology from below. The Cultural Production of Social Movements shows how conflicts both with external political forces and disagreements, dissensus, and the decision-making process internal to social movements produce knowledge and meanings that, in turn, impact upon and change the practices that contribute to how social movements are structured and organized. The Cultural Production of Social Movements theorizes the relationship between consciously held superordinate ideas, the changing composition of progressive and oppositional social struggles, and the social worlds they hope to inhabit. Analyzing the Black Panther Party, specifically Kathleen Cleaver s break with the Student Non-violent Coordinating Committee and her contributions to the Party, Operaismo (or Workerism) in Italy and the relationship between shifting organizational strategies, inventive tactics, and novel and expansive ways to theorize class struggles, and the communal composition of Worker-Recovered Enterprise Movements in contemporary Argentina, this book shows how movement ideologies change and how meanings structure organizations, mobilizations, and futures. In The Cultural Production of Social Movements ideology is neither a static set of principles, nor is an unconscious orientation towards power and governance. Rather, it is the contentious, democratizing, and deliberative processes which become realized as tactics in protests, struggles, defeats, and victories that makes the relationship between movements, and what they mean conscious to its participants.

Inhalt

Chapter 1: Introduction.- Chapter 2: Ideological Contention.- Chapter 3: Incipient Practice and Culture.- Chapter 4: Incipient Practice, Class, and Ideology.- Chapter 5: The Factory Without Bosses.- Chapter 6: Incipient Practice and Subaltern Groups.- Chapter 7:Conclusion.