Writing for Visual Media

Provides writers with an understanding of the nature of visual writing behind all visual media. Such writing is vital for directors, actors, and producers to communicate content to audiences. This new edition has a finger on the pulse of the rapidly evolving media ecosystem and explains it in the context of writing and creating content.

Writing for Visual Media provides writers with an understanding of the nature of visual writing behind all visual media. Such writing is vital for directors, actors, and producers to communicate content to audiences. Friedmann provides an extended investigation into dramatic theory and how entertainment narrative works, illustrated by examples and detailed analysis of scenes, scripts, techniques, and storylines. This new edition has a finger on the pulse of the rapidly evolving media ecosystem and explains it in the context of writing and creating content. Friedmann lays out many of the complex professional, creative, and commercial issues that a writer needs to understand in order to tell engaging stories and construct effective and professional screenplays.

This new edition includes:

• A new chapter on storytelling

• A fresh examination of dramatic theory and how to apply it to constructing screenplays

• Updated discussion of mobile platforms

• A lengthened discussion of copyright, ethics, and professional development issues

• An updated companion website with sample scripts and corresponding videos, an interactive glossary, sample storyboards and screenplays, links to industry resources, and materials for instructors such as slides, a syllabus, and a test bank.

  Autorentext

Anthony Friedmann has an M.A. in English from Harvard University and a B.A. and Ph.D. in English and Comparative Literature from Columbia University, and trained as a filmmaker at the London School of Film Technique. After twenty-one years of writing, producing, and directing film and video, he has taught video production, interactive multimedia, and scriptwriting at various colleges and universities. He continues to do technical writing, write for corporate clients, and develop independent projects for film and publishing. His work ranges from feature films to corporate video for English, American, and French clients. Bartleby, which he wrote and directed, won Special Jury Prize at the San Sebastián Film Festival in 1971. He is a member of the Writers' Guild of Great Britain.

Klappentext

Writing for Visual Media provides writers with an understanding of the nature of visual writing behind all visual media. Such writing is vital for directors, actors, and producers to communicate content to audiences. Friedmann provides an extended investigation into dramatic theory and how entertainment narrative works, illustrated by examples and detailed analysis of scenes, scripts, techniques, and storylines. This new edition has a finger on the pulse of the rapidly evolving media ecosystem and explains it in the context of writing and creating content. Friedmann lays out many of the complex professional, creative, and commercial issues that a writer needs to understand in order to tell engaging stories and construct effective and professional screenplays. This new edition includes: A new chapter on storytelling A fresh examination of dramatic theory and how to apply it to constructing screenplays Updated discussion of mobile platforms A lengthened discussion of copyright, ethics, and professional development issues An updated companion website with sample scripts and corresponding videos, an interactive glossary, sample storyboards and screenplays, links to industry resources, and materials for instructors such as slides, a syllabus, and a test bank.

Inhalt

Introduction, Chapter 1: Describing One Medium through Another, Chapter 2: Describing Sight and Sound, Chapter 3: A Seven-Step Method for Developing a Creative Concept, Chapter 4: The Stages of Script Development, Chapter 5: Ads and PSAs: Copywriting for Visual Media, Chapter 6: Corporate Communications: Selling, Training, and Promoting, Chapter 7: Documentary and Nonfiction Narrative, Chapter 8: Storytelling, Chapter 9: Visual Storytelling: Dramatic Structure and Form, Chapter 10: Writing Techniques for Long-Form Scripts, Chapter 11: Television Series, Sitcoms, and Soaps, Chapter 12: Writing for Interactive Communications and Interactive Design, Chapter 13: Writing for Video Games, Chapter 14: Writing for Mobile Media Platforms, Chapter 15: You Can Get Paid to Do This