A Counter-History of Crime Fiction

This book takes a look at the evolution of crime fiction. Considering 'criminography' as a system of inter-related sub-genres, it explores the connections between modes of literature such as revenge tragedies, the gothic and anarchist fiction, while taking into account the influence of pseudo-sciences such as mesmerism and criminal anthropology.

Shortlisted for Mystery Writers of America Edgar Awards 2008 (Category: Best Critical/Biographical)

'Maurizio Ascari's book is a thrilling journey through the supernaturally dark side of crime fiction. It excavates material that critics have not previously considered in the context of classic crime writing and also explores innovatively the role of the super-rational in the development and meaning of the genre. The book thoroughly justifies its challenging title as a Counter-History of Crime Fiction.' - Stephen Knight, Distinguished Research Professor in English Literature, University of Cardiff, UK

'...a well-written, insightful and important piece of criticism.' - Kim Toft Hansen, Kulturekapellet

'...[an] interestingly transnational approach to crime fiction...elegant language...captivating writing style...critically groundbreaking...' Rivista di Studi Vittoriani

Autorentext
MAURIZIO ASCARI is Senior Lecturer in English Literature at the University of Bologna, Italy. His publications include books and essays on crime fiction, anarchist fiction, the formation of the literary canon and travel writing.

Inhalt
Acknowledgements Introduction Revising the Canon of Crime and Detection PART I: SUPERNATURAL AND GOTHIC Detection Before Detection Persecution and Omniscience Victorian Ghosts and Revengers Pseudo-Sciences and the Occult PART II: SENSATIONAL The Language of Auguste Dupin On the Sensational in Literature London as a 'Heart of Darkness' The Rhetoric of Atavism and Degeneration The Age of Formula Fiction Bibliography Index