ADR and Post-Sync Dialogue

Written by industry expert, R.J. Kizer, this is the first book to provide a comprehensive overview of post-sync dialogue replacement, popularly known as ADR. It explores how this technology is used in motion pictures and in non-fiction television programs, with many examples to explain approaches and techniques.

Autorentext

R.J. Kizer is an ADR editor with over 30 years' experience. He worked for directors such as Steven Spielberg, Christopher Nolan, and Peter Weir. Notable movie titles in his résumé include Catch Me If You Can (2002), War of the Worlds (2005), Inception (2010), and Interstellar (2014). He won the Motion Picture Sound Editors 'Golden Reel' award twice: for dialogue editing on The Lion King (1994) and dialogue/ADR editing on War for the Planet of the Apes (2017). A member of the Academy of Motion Picture Arts and Sciences since 2008, he served for 11 years on its Sound Branch Executive Committee.

Inhalt

1. Beginning 2. Spotting 3. Cuing, Programming and Line Counts 4. Group ADR Programming 5. Conforming the Programming 6. Scheduling and Preparation 7. The ADR Stage 8. The Principal ADR Session 9. Remote Recording 10. After Recording 11. Group ADR a/k/a Walla 12. The Group ADR Recording Session 13. Cutting/Editing/Fitting/Building 14. Group ADR - Cutting and Organizing 15. Conforming, Fixing, Updating 16. Temp Dubs - Predub - Rerecording - Updating 17. Finishing 18. The ADR Controversy: Then, Now, and The Future