Africa on the Contemporary London Stage

This collection of essays investigates the way Africa has been portrayed on the London stage from the 1950s to the present. It focuses on whether and, if so, to what extent the Africa that emerges from the London scene is subject to stereotype, and/or in which ways the reception of audiences and critics have contributed to an understanding of the continent and its arts. The collection, divided into two parts, brings together well-established academics and emerging scholars, as well as playwrights, directors and performers currently active in London. With a focus on Wole Soyinka, Athol Fugard, Bola Agbaje, Biyi Bandele, and Dipo Agboluaje, amongst others, the volume examines the work of key companies such as Tiata Fahodzi and Talawa, as well as newer companies Two Gents, Iroko Theatre and Spora Stories. Interviews with Rotimi Babatunde, Ade Solanke and Dipo Agboluaje on the contemporary London scene are also included.

Interrogates the way in which Africa has been portrayed on the London stage since the 1950s
Draws together work from both well-established academics and emerging scholars
Combines interviews and essays to provide both a theoretical and hands-on approach to the topic

Autorentext
Tiziana Morosetti is a fixed-term affiliate with the African Studies Centre, Oxford, UK, where she teaches African Literature. She is deputy-director of the journal Quaderni del '900, and the membership secretary of the African Theatre Association (AfTA). She is the editor of Staging the Other in Nineteenth-Century British Drama (2016).

Inhalt
1 IntroductionPart I Africa on the London Stage, 19552013
2 Freedom, London 1955: A Story of Modern Africa Written and Acted by Africans, or Perhaps Not3 Africa on the British Stage, 19551966
4 'On One of Those Sunday Nights': 50 Years of Africa at the Royal Court Theatre5 Biyi Bandele's Theatre of the Afropolitan Absurd
6 Nigerian Political Satire at the Soho Theatre: Class, Culture, and Theatrical Languages in Oladipo Agboluaje's The Estate and Iyale (The First Wife)7 Black Masculinity and the Black Voice: Casting and Canonicity in the National Theatre GalaPart II Companies and Theatre Practitioners
8 Disrupting Historical Mis-representations and Constructions: Talawa Theatre, Tiata Fahodzi, and Representations of Polyphonic Africa on the Contemporary London Stage9 IROKO Theatre and the African Theatre-in-Education Scene in London10 'But [We] Will Delve One Yard Below Their Mines/And Blow Them at the Moon': Two Gents'Africa', Shakespeare, and the Silent Revolution11 Interview with Ade Solanke
12 Interview with Rotimi Babatunde
13 Interview with Dipo Agboluaje