Black Heart

This series publishes critical scholarship that seeks to engage and transcend the disciplinary isolationism and genre confinement that now characterize so much of contemporary research in communication studies and related fields. It focuses on studies that address the broad intersections and hybrid trajectories that define the encounters between human groups in modern institutions and societies and the way these intersections are represented in contemporary popular cultural forms of knowledge.

Black Heart is a provocative and polemical critique of African American literary studies at the beginning of the twenty-first century. Through a series of sharp and insightful essays on a wide range of critical thinkers, Phillip M. Richards traces what he sees as an erosion of moral reflection in African American literary culture a process that has left contemporary black academic criticism socially, politically, and culturally hollow. Exploring the work of Henry Louis Gates, Jr., Michael Dyson, Karla Holloway and others, Black Heart sets forth the rhetorical strategies of present-day African American critical writing, and probes the ethical dimensions of its institutional life in the academy, the media, and the public sphere. Richards undertakes to recover the procedures by which cultural and moral value may be recovered for black literary culture and to establish the possibilities for a new humanism in African American writing and literary culture.

Autorentext

The Author: Phillip M. Richards is Associate Professor in the Department of English at Colgate University in Hamilton, New York. He received a Ph.D. in English and American literature from the University of Chicago. His scholarship, literary criticism, and journalism have been published in a number of professional journals and magazines.