C.G.Jung and Literary Theory

C.G. Jung and Literary Theory remedies a significant omission in literary studies by doing for Jung and poststructuralist literary theories what has been achieved for Freud and Lacan. Offering radically new Jungian theories of deconstruction, feminism, the body, sexuality, spirituality, postcolonialism, reader-response, the book also investigates the controversial occult and fascist heritage of Jung. By using the work of Derrida, Kristeva and Irigaray and examining Jungian fiction, this book transforms modern literary theory in ways which simultaneously critique Jung's work.

Autorentext

Susan Rowland is Senior Lecturer in English at the University of Greenwich.

Inhalt
Introduction: Beyond Traditional Jungian Literary Criticism Jung for Literature and Literary Theory Jung: Political, Cultural and Historical Context A Jungian Reader Theory: Alchemy and The Chymical Wedding by Lindsay Clarke Jung and Feminist Narrative: Romantic Virgins in the Early Novels of Michèle Roberts Hysterical Jung: Michèle Roberts' The Book of Mrs Noah and In the Red Kitchen Jung, Literature and Fascism: Hopeful Monsters by Nicholas Mosley (Post)Colonial Jung: Doris Lessing's Canopus in Argos C.G. Jung and Literary Theory Notes Bibliography Glossary Index