Chinese Animated Film and Ideology

This book presents a contextualized overview of the history of Chinese animated film, pointing out the most influential self-definitions of Chinese culture employed in animation art of Mao Zedong's rule (1949-1976).

Autorentext

Olga Bobrowska, PhD, is an animated film scholar, Assistant Professor at the Institute of Journalism and International Relations (IDSM) of the UKEN University in Kraków (Uniwersytet Komisji Edukacji Narodowej) (Poland), and co-founder and festival director of StopTrik International Film Festival (Maribor, Slovenia/ód, Poland).

Inhalt

1. Nationalization of Animation 2. Animation Reformed 3. Sino-European Opening-Up in the Area of Art-House Animation