Choreography and Verbatim Theatre

Represents the first publication to focus on choreography and verbatim physical theatre
Ranges across multiple disciplines, including Dance, Performance Studies and Translation Studies
Holds appeal for practitioners as well as researchers

Represents the first publication to focus on choreography and verbatim physical theatre Ranges across multiple disciplines, including Dance, Performance Studies and Translation Studies Holds appeal for practitioners as well as researchers

Autorentext
Jess McCormack is a practitioner researcher working across dance, theatre and performance. Her research on devised and choreographic processes incorporates practice-as-research and critical theory. Her current interests include verbatim theatre, choreographic practice, adaptation, translation and cultural transferences, feminist performance practices and applied performance. She works in the Department of Theatre at the University of Bristol, UK.

Inhalt
1.- Choreography as a Translation Process.- 2. Dancing Other People's Words: Verbatim Dance-Theatre.- 3. DV8 Physical Theatre's Verbatim Dance-Theatre: How might choreography be developed in verbatim performance?.- 4. Making Verbatim Dance-Theatre.- 5. Choreographed Dialogue.