Contemporary Art from Nigeria in the Global Markets

This book brings together from four years of study on Nigerian contemporary art's internationalization. The monograph integrates voices of African (Nigerian) artists and art market players into the growing discourse on the emerging art markets in the global South. It explores the logic of competition and dynamics of power relations in the global markets, focusing on the internationalization of contemporary art forms from peripheral regions. The book confirms that the internationalization of contemporary art form from Nigeria is limited due to systematic marginalization in the artistic field, which in this case based on postcolonialism, and debilitating socio-economic factors such as outmoded art education, unstructured support system and weak mechanism for local validation, and an inefficient political framework for art governance.

It will therefore be useful to students and researchers in the sociology of art, art market studies, art history and culture polity.

Reflects a shifting focus on art markets outside the traditional centers of Europe and America to the Global South Highlights the situation of arts governance and cultural policy in Nigeria and Africa more broadly Argues for global modernism and a corrective to Eurocentric art historiography

Autorentext

Jonathan Adeyemi holds a BA (Hons), MA in African Studies (Art History), and an MBA in marketing management. He obtained a Ph.D. in Arts Management and Cultural Policy from Queen's University Belfast in the United Kingdom. Dr. Adeyemi was an Associate Lecturer in Arts Management and Cultural Policy at Queen's University Belfast. He also served as the Coordinator of Creative Arts at the West African Examinations Council (WAEC), where he was responsible for art education curriculum development and administration. With a paper titled: Power Dynamics in the art world: Navigating alternative systems, Dr. Adeyemi won the 2021 Ph.D. Student Research Award of the Sociology of Arts Research Networks (RN02), European Sociological Association (ESA). He contributed a chapter titled: Systematisation of Art in Nigeria to the Cuyler A. edited volume: Arts Management, Cultural Policy & the African Diaspora for Palgrave Macmillan. He is a member of The International Art Markets Studies Association (TIAMSA) and the European Sociological Association (ESA).

Inhalt
1.Introduction.- 2.Sub-Saharan Africa in the global art market's structure.- 3.The Development of Contemporary Art in Nigeria.- 4.Aesthetic Influences of Cultural Nationalism and Decolonization.- 5.Transnational influences, authenticity censure and postcolonial exclusion.- 6.Evolution of the Market for Contemporary Art.- 7.Contemporary Art from Nigeria in International Spaces.- 8.Systems of Art Governance.- 9.Power Dynamics and Alternative Systems