Contemporary British Television Crime Drama

Contemporary British Television Crime Drama examines one of the medium's most popular genres and places it within its historical and industrial context. It traces the changing cultural and narrative approaches the genre takes to the mediation of crime and policing. Contributors analyze popular series such as Broadchurch, Poirot, Sherlock and Wallan

Autorentext

Ruth McElroy is Reader in Media and Cultural Studies at the University of South Wales, UK. She is editor, with Stephen Lacey, of Life on Mars: From Manchester to New York, (2012), University of Wales Press She currently leads an Arts and Humanities Research Council funded international network on Television in Small Nations.

Klappentext

Contemporary British Television Crime Drama examines one of the medium's most popular genres and places it within its historical and industrial context. The television crime drama has proved itself capable of numerous generic reinventions and continues to enjoy some of the highest viewing figures. Crime drama offers audiences stories of right and wrong, moral authority asserted and resisted, and professionals and criminals, doing so in ways that are often highly entertaining, innovative, and thought provoking. In examining the appeal of this highly dynamic genre, this volume explores how it responds not only to changing social debates on crime and policing, but also to processes of hybridization within the television industry itself. Contributors, many of whom are leading figures in UK television studies, analyse popular series such as Broadchurch, Between the Lines, Foyle's War, Poirot, Prime Suspect, Sherlock and Wallander. Essays examine the main characteristics of television crime drama production, including the nature of trans-Atlantic franchises and literary and transnational adaptations. Adopting a range of feminist, historical, aesthetic and industrial approaches, they offer incisive interrogations that provide readers with a rich understanding of the allure of crime drama to both viewers and commissioners.

Inhalt

Foreword

Jonathan Nichols-Pethick

Introduction

Ruth McElroy

Part I: The British Crime Drama new adventures in an established genre

1. Bad sex, target culture and the anti-terror state: new contexts for the British television police series

Charlotte Brunsdon

2. Unlocking the Mechanism of Murder: Forensic Humanism and Contemporary Crime Drama

Martin Willis

3. Walking Whitechapel: Ripper Street, Whitechapel, and Place in the Gothic Crime Drama

Rebecca Williams

4. Crime and Punishment - Jimmy McGovern's Accused and Common ****

Steve Blandford

Part II: The Police

5. Women Cops on the Box: Female Detection in the British Police Procedural

Ruth McElroy

6. Unfettered Bureaucracy, Narrative Collapse: Postmodern Enemies in Line of Duty

Manel Morales

7. The Blitz Detective: Foyle's War, History, Genre and Contemporary Politics

Stephen Lacey

8. Cars, Places and Spaces in Police Drama

Jonathan Bignell

Part III: Exporting and adapting crime

9. Crime Drama and Channel Branding: ITV and Broadchurch ****

Ross Garner

10. Bodies of Evidence: European Crime Series, BBC Four and Translating (Global) (In) Justice into (National) Public Television Culture

Janet McCabe

11. Exporting Englishness: Agatha Christies's Poirot

Mary Brewer

12. Lost in Translation TV remakes, transatlantic determinants and the failure of Prime Suspect US

Deborah Jermyn