David Greig's Holed Theatre

Explores an understudied topic in the field of drama, theatre and performance studies Provides an original understanding and tackling of politics, aesthetics and ethics as intertwined concepts Builds on existing scholarship and perspectives about Greig's theatre in order to open new approaches to his work

Autorentext
Verónica Rodríguez is Visiting Lecturer at Canterbury Christ Church University and Royal Holloway, University of London, UK. She is a member of 'British Theatre in the Twenty-First Century: Crisis, Affect, Community', a four-year research project funded by the Spanish Ministry of Economy and Competitiveness and by FEDER (European Union) (FFI2016-75443).

Inhalt

1. Introduction: A Shamanic Semionaut.- 2. Holed Theatre as Response to Globalization.- 3. From Ethics to the Politics of Aesthethics.- 4. Affect and the Holed Spectator: Ecology of Transfers.- 5. Europe: Globalization's Inferiors.- 6. The Architect: Blowing Up Architectures of Power.- 7. The Cosmonaut's Last Message to the Woman He Once Loved in the Former Soviet Union: All this Fucking Beautiful Stuff.- 8. San Diego: Stitching up the Globe.- 9. The American Pilot: A Precarious Restoration to 'the Real'.- 10. Damascus: Trouma.- 11. Fragile: Sharing Doing and Spatial Transcorporeality.- 12. The Events: Confounding Spacecraft Here.- 13. Conclusion: World-Forming Theatre.