Digital fictions Imaging Landscape - identity and ideology

George's digital photographs and multi-media installations are images of the collisions of East and West. And are distinctive by their-tech, seamless moulding of positive historical continuum. His vivid condensation of artistically and scientific analogies contributes to the resolution of particularly difficult millennial double bind occupying theorists and artist nationally and internationally. George's practice over the past eight years has focused on concepts of contrivance and the handmade. Through this we can retrace the artists specific trajectory throughout the discourse on art, photography and politics - that ranges from the conceptual debates in art to the technological shifts from analogue to the digital. Georges practise an extensive travels gives form to his contrapuntal perceptions within contemporary art.

Autorentext

DR Phillip George, is an Artist and academic at UNSW Sydney Australia as Head of the School of Media Art, designed, developed delivered and head hunted all new staff for the 1st Digital Media Degree at UNSW, the Degree covers aspects of Media Theory, Digital Photography, Sound Media, Animation 2D & 3D, Interactive Media and Game Design.