Digitizing North Indian Music

This book describes how state of the art computer
music technology can be used to
digitize, analyze, preserve and extend North Indian
classical music performance. Custom built
controllers, influenced by the Human Computer
Interaction community, serve as new interfaces to
gather musical gestures from a performing artist.
Designs on how to modify a Tabla, Dholak, and Sitar
with sensors and electronics are described.
Experiments using wearable sensors to capture
ancillary gestures of a human performer are also
included. A twelve-armed solenoid-based robotic
drummer was built to perform on a variety of
traditional percussion instruments from around India.
The book also describes experimentation on
interfacing a human sitar performer with the robotic
drummer. Experiments include automatic tempo
tracking, rhythmic accompaniment methods and digital
transcription techniques. This work draws on
knowledge from many disciplines including: music,
computer science, electrical engineering, mechanical
engineering and psychology. The goal is to set a
paradigm on how to use technology to aid in the
preservation of traditional art and culture.

Autorentext
Ajay is the Director of Music Technology at California Institute
of the Arts and founder of KarmetiK, a set of musicians,
scientists, & artists who combine Indian Classical music with
modern technology. He received an Interdisciplinary Ph.D. in 2007
from University of Victoria and a B.S.E. in Computer Science from
Princeton University in 2002.

Klappentext
This book describes how state of the art computer music technology can be used to digitize, analyze, preserve and extend North Indian classical music performance. Custom built controllers, influenced by the Human Computer Interaction community, serve as new interfaces to gather musical gestures from a performing artist. Designs on how to modify a Tabla, Dholak, and Sitar with sensors and electronics are described. Experiments using wearable sensors to capture ancillary gestures of a human performer are also included. A twelve-armed solenoid-based robotic drummer was built to perform on a variety of traditional percussion instruments from around India. The book also describes experimentation on interfacing a human sitar performer with the robotic drummer. Experiments include automatic tempo tracking, rhythmic accompaniment methods and digital transcription techniques. This work draws on knowledge from many disciplines including: music, computer science, electrical engineering, mechanical engineering and psychology. The goal is to set a paradigm on how to use technology to aid in the preservation of traditional art and culture.