Dimensions of Energy in Shostakovich's Symphonies

Shostakovich's music is often described as being dynamic, energetic. But what is meant by 'energy' in music? After setting out a broad conceptual framework for approaching this question, Michael Rofe proposes various potential sources of the perceived energy in Shostakovich's symphonies, describing also the historical significance of energeticist thought in Soviet Russia during the composer's formative years.

An understanding of, and familiarity with, even fairly elementary mathematics will provide the reader with the necessary tools to appreciate Rofe's approach. The book is well indexed and there is an extensive, though unannotated, bibliography. The unobtrusive footnotes are used mostly to cite sources. Few readers will come away from reading Dimensions of Energy in Shostakovich's Symphonies without a new perspective, without learning much about Shostakovich's music itself from an analytical and technical (as opposed to a biographical one) angle. So â given Rofe's initial premise about the body of published material â readers' understanding and appreciation of the composer's symphonies music will be significantly increased. Recommended. - Mark Sealey, Classical Net Informationen zum Autor Michael Rofe's background is in music theory and analysis. He is particularly interested in contemporary music, musical energetics, Russian music, music and time, and temporal proportion in music; he has additional interests in popular music and music technology. Klappentext Shostakovich's music is often described as being dynamic, energetic. But what is meant by 'energy' in music? After setting out a broad conceptual framework for approaching this question, Michael Rofe proposes various potential sources of the perceived energy in Shostakovich's symphonies, describing also the historical significance of energeticist thought in Soviet Russia during the composer's formative years. Inhaltsverzeichnis Preface, Acknowledgements, List of Examples, Part I: Dimensions of Energy, 1. Defining Musical Energy; Projecting Energy Musically, 2. Energy as MelodicHarmonic Motion: Yavorsky's 'Theory of Modal Rhythm', 3. Energy and the Unfolding of Time: Proportional Distribution and (Im)Balance, 4. Form in Formation: Process and Pattern Building, 5. Form in Reflection: Archetype and Energy, 6. Symphonism, Part II: Applications and Implications, 7. Multi-Dimensional Energies: Symphony No. 6(i), 8. About-Face? Symphonies Nos 4(i) and 5(i), 9. Shostakovich as Symphonist; Shostakovich as Modernist: Symphony No. 14, 10. Intention, Intuition or a Third Way? A Balanced Approach to Golden Section, Epilogue: Using Proportions as Interpretative Tools, Appendix I: Accuracy Margin, Appendix II: Statistical Tests, Bibliography, Index...

Autorentext
Michael Rofe's background is in music theory and analysis. He is particularly interested in contemporary music, musical energetics, Russian music, music and time, and temporal proportion in music; he has additional interests in popular music and music technology.

Inhalt
Preface, Acknowledgements, List of Examples, Part I: Dimensions of Energy, 1. Defining Musical Energy; Projecting Energy Musically, 2. Energy as MelodicHarmonic Motion: Yavorsky's 'Theory of Modal Rhythm', 3. Energy and the Unfolding of Time: Proportional Distribution and (Im)Balance, 4. Form in Formation: Process and Pattern Building, 5. Form in Reflection: Archetype and Energy, 6. Symphonism, Part II: Applications and Implications, 7. Multi-Dimensional Energies: Symphony No. 6(i), 8. About-Face? Symphonies Nos 4(i) and 5(i), 9. Shostakovich as Symphonist; Shostakovich as Modernist: Symphony No. 14, 10. Intention, Intuition or a Third Way? A Balanced Approach to Golden Section, Epilogue: Using Proportions as Interpretative Tools, Appendix I: Accuracy Margin, Appendix II: Statistical Tests, Bibliography, Index