Distortion (Music)
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Distortion, also known as overdrive or fuzz, is an effect applied to the electric guitar, the electric bass, and other amplified instruments such as the Hammond organ, synthesizers, and even harmonica and vocals. Accomplished by electronically compressing and/or clipping the input signal, this effect adds sustain and additional harmonics and overtones to the signal, creating a richer sound. The most subtle types of distortion add a "warm" thickness to the original tone; the more extreme types of distortion range from the noisy, buzzy sound of a late 1960s-era fuzztone pedal to the screaming, "bite", "grit",and "crunch" of a late 1980s thrash-style distortion pedal. Distortion is used across a wide range of musical genres, from the subtle overdrive used in traditional blues to the hard-edged distortion featured in noise music, hardcore punk and metal. Early examples of distortion were often the result of accidents in which the guitar amplifier or its vacuum valves was damaged, or because the amplifiers and speakers were "doctored" by poking holes into their speaker cones.
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GarantieWeitere Informationen
- Allgemeine Informationen
- GTIN 09786130263591
- Editor Frederic P. Miller, Agnes F. Vandome, John McBrewster
- Sprache Englisch
- Größe H220mm x B150mm x T12mm
- Jahr 2009
- EAN 9786130263591
- Format Fachbuch
- ISBN 978-613-0-26359-1
- Titel Distortion (Music)
- Untertitel Fuzzbox, Electric Guitar, Bass Guitar, Synthesizer, Singing, Dynamic Range Compression, Sustain, Noise (Music), Hardcore Punk, Amplifier, Loudspeaker, Link Wray, Fender Musical Instruments Corporation
- Gewicht 328g
- Herausgeber Alphascript Publishing
- Anzahl Seiten 208
- Genre Musik
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