Eccentricity

The present study offers a first critical genealogy of eccentricity. It shows how eccentricity negotiates dissent and also helps 'produce' the modern individual, from fops via dandies to their present-day impersonators in British politics. The study re-reads English Literature and Culture from the beginnings to the present from the margins.

Eccentricity is a stereotype of Englishness. Yet despite its popularity, it has not merited much academic investigation. The present study offers a theoretically grounded overview of the emergence, structures and artistic productions resulting from eccentricity. It starts with its prehistory in Antiquity, the Middle Ages, and the Renaissance before pinpointing its emergence in the seventeenth century. From then onwards it serves to negotiate cultural dissent and make it productive. What goes hand in hand with eccentricity is the individual, not as essentially given, but as relational. In the same way that eccentricity has textual and intertextual origins, eccentrics, despite their seeming singularity, form patterns. These can be used as cultural 'fertiliser' or as façades in the case of present-day British politicians. The study offers a re-reading of English Literature and Culture from the margins as well as theoretical outlooks in the directions of Gender and Postcolonial Studies.

Autorentext

Rainer Emig studied at Frankfurt am Main and Warwick. He obtained his doctorate from Oxford and taught at Cardiff, Regensburg, Hanover and Mainz, where he is Chair of English Literature and Culture.