Ecoscenography

This ground-breaking book is the first to bring an ecological focus to theatre and performance design, both in scholarship and in practice. Ecoscenography weaves environmental philosophies and practices across genres and fields to provide a captivating vision for the future of sustainable theatre production. The book forefronts leading designers that are driving this emerging field into the mainstream through their relational and reciprocal engagement with place, audiences, materials, and processes. Beyond its radical philosophy and framework, Ecoscenography makes a compelling case for pursuing an ecological ethic in theatre and performance design, not only as a moral imperative, but for the extraordinary possibilities that it offers for more-than-human engagement. Based on her personal insights as a leading ecological researcher and practitioner, Beer offers a rich resource for scholars, students and practitioners alike, opening up new processes and aesthetics of theatrical design that enhance the environmental and social advocacy of the field.

Offers an examination of means by which current design practices can be reimagined to comply with ecological principles Explores creative application of ecological thinking to performance design within conventional & expanded scenography Provides an accessible introduction to scenographic research, ideal for students, academics and practitioners alike

Autorentext

Dr Tanja Beer is a Senior Lecturer in Design at Griffith University, Australia. Her extensive career as an ecological designer, community artist and researcher builds on more than 20 years of theatre practice. Tanjäs pioneering concept of Ecoscenography has been featured in numerous programs, exhibitions, articles and platforms around the world.

Inhalt
Introduction.- Chapter 1: Ecological Thinking.- Chapter 2: Ecological Practice.- Chapter 3: Ecoscenography in Three Acts.- Chapter 4: Two case studies in Ecoscenography.- Conclusion.