Eros verbalized in the poetry of Max Martins

The language of love and desire - "Poetry is pure eroticism. Sometimes because it is an 'activity of human meaning and subjectivity', sometimes because it is the fusion of words within words, which merge with one another, providing pleasure to the human soul. Poetry and eroticism transgress concepts and definitions; they are transgressive orders. Poetic labor requires the extinction of semantic finitude and a dive into the vast sea of meanings. It is saying the unsayable. [...] We are led to feel the words imbued with Eros verbalized in the verses of the poet, who constructs erotic poetry by suggesting as its main theme: carnal love, based on poetry that is naked, free, and without taboos..."

Autorentext

Absolventin der Literaturwissenschaft an der Bundesuniversität von Pará. Sie ist hauptsächlich im Bereich Literatur und Erotik tätig; reguläre Studentin des Postgraduiertenprogramms für Literaturwissenschaft an der Unimontes, wo sie an ihrer Dissertation mit dem Titel "Desconstruindo CLB: um jogo erótico de velar e (des)velar em A casa dos budas ditosos, de João Ubaldo Ribeiro" (CLB dekonstruieren: ein erotisches Spiel des Verschleierns und (Ent-)Schleierns in "A casa dos budas ditosos" von João

Klappentext

The language of love and desire - "Poetry is pure eroticism. Sometimes because it is an 'activity of human meaning and subjectivity', sometimes because it is the fusion of words within words, which merge with one another, providing pleasure to the human soul. Poetry and eroticism transgress concepts and definitions; they are transgressive orders. Poetic labor requires the extinction of semantic finitude and a dive into the vast sea of meanings. It is saying the unsayable. [...] We are led to feel the words imbued with Eros verbalized in the verses of the poet, who constructs erotic poetry by suggesting as its main theme: carnal love, based on poetry that is naked, free, and without taboos..."