FEED

FEED divides into five acts, each dominated by one of the opera's characters, who address the climate emergency from radically different points of view. Its plotless narrative unfolds via strings of loosely linked monologic echo chambers and dialogues that are variously disrupted by cancel culture chants and fail at actual exchange. Part postdramatic theatre, part techno rave, FEED blurs the lines between art and life, between stage and auditorium to explore at scale topics as dire as the future of life on Earth, whilst at the same time inviting its audience to participate in an immersive work of great cathartic force.

Autorentext
Stacy Dorgan Bentz is a bilingual writer and experienced development editor.

Klappentext

FEED divides into five acts, each dominated by one of the operäs characters, who address the climate emergency from radically different points of view. Its plotless narrative unfolds via strings of loosely linked monologic echo chambers and dialogues that are variously disrupted by cancel culture chants and fail at actual exchange. Part postdramatic theatre, part techno rave, FEED blurs the lines between art and life, between stage and auditorium to explore at scale topics as dire as the future of life on Earth, whilst at the same time inviting its audience to participate in an immersive work of great cathartic force.