Future Relics: Monumentalizing Afro-Caribbean Identity

The use of monuments as future-relics to validate and preserve the identity of Afro-Caribbean people within the Anglophone Caribbean is the premise for the conceptual and physical development of my studio practice. My book is about this practice and how the art work that I make, function in the way they are intended. The work monumentalizes Black identity in an effort to mirror the significance and resilience of the Black self within the Caribbean; a space that was created by Europeans to enrich their respective Empires. I put forward the use of established canonical art practices as a methodology to map one culture unto the other as a way of presenting the Black narrative to the Black viewer.

Autorentext

Greg Bailey ist Dozent am Edna Manley College of the Visual and Performing Arts. Er studierte an der Washington University in St. Louis, wo er 2019 einen MFA an der Sam Fox School of Design and Visual Arts erwarb. Er hat in Jamaika, den USA, England und Deutschland ausgestellt. Seine Arbeiten beschäftigen sich mit Rasse, Geschlecht, Geschichte und soziopolitischen Themen.