Gothic Cinema

Arguing for the need to understand Gothic cinema as an aesthetic mode, this book explores its long history, from its transitional origins in phantasmagoria shows and the first 'trick' films to its postmodern fragmentation in the Gothic pastiches of Tim Burton.

'This highly welcome and comprehensive study of Gothic cinema is marked by subtle generic distinctions, a superbly long historical range and a focus that moves widely and ably among different national cinemas. Aldana Reyes writes with style and verve, and establishes a proper scholarly framework for the study of Gothic cinema in all its variety as an aesthetic mode.' Professor David Punter, Senior Research Fellow, University of Bristol 'Aldana Reyes offers an insightful and much-needed excavation of the dark history of the Gothic on film. Rigorously researched, engagingly written and providing new perspectives and understanding, this is a must-read for film and Gothic scholars alike.' Dr. Stacey Abbott, Reader in Film and Television Studies, Roehampton University

Autorentext

Xavier Aldana Reyes is Reader in English Literature and Film at Manchester Metropolitan University and a founder member of the Manchester Centre for Gothic Studies. He is the author of the books Spanish Gothic (2017), Horror Film and Affect (2016) and Body Gothic (2014).

Inhalt

Introduction

1. Transitional Origins

2. Monstrous Shadows

3. Franchise Gothic

4. The Explained Supernatural

5. Gothic in Technicolour

6. Exploitation Gothic

7. Late Dispersions