Hangman

National Book Foundation 5 Under 35 Honoree
Winner of the Bard Fiction Prize
**Long-listed for theWomen's Prize for Fiction, the Mark Twain American Voice in Literature Award, and the Dublin Literary AwardNamed a Best Book of the Year by The New Yorker, Vulture, and BBC**

An enthralling and original first novel about exile, diaspora, and the impossibility of Black refuge in America and beyond.

In the morning, I received a phone call and was told to board a flight. The arrangements had been made on my behalf. I packed no clothes, because my clothes had been packed for me. A car arrived to pick me up.

A man returns home to sub-Saharan Africa after twenty-six years in America. When he arrives, he finds that he doesn't recognize the country or anyone in it. Thankfully, someone recognizes him, a man who calls him brother-setting him on a quest to find his real brother, who is dying.

In Hangman, Maya Binyam tells the story of that search, and of the phantoms, guides, tricksters, bureaucrats, debtors, taxi drivers, relatives, and riddles that will lead to the truth.

This is an uncommonly assured debut: an existential journey; a tragic farce; a slapstick tragedy; and a strange, and strangely honest, story of one man's stubborn quest to find refuge-in this world and in the world that lies beyond it.

Autorentext

Maya Binyam is the author of Hangman, which was named a 2024 National Book Foundation "5 under 35" honoree, received the Rosenthal Family Foundation Award from the American Academy of Arts and Letters, and was longlisted for the Women's Prize. Her work has appeared in the Paris Review, the New Yorker, Best American Short Stories, and elsewhere. She lives in Los Angeles.

Klappentext

An enthralling and original first novel about exile, diaspora, and the impossibility of Black refuge in America and beyond.

In the morning, I received a phone call and was told to board a flight. The arrangements had been made on my behalf. I packed no clothes, because my clothes had been packed for me. A car arrived to pick me up.

A man returns home to sub-Saharan Africa after twenty-six years in America. When he arrives, he finds that he doesn't recognize the country or anyone in it. Thankfully, someone recognizes him, a man who calls him brother-setting him on a quest to find his real brother, who is dying.

In Hangman, Maya Binyam tells the story of that search, and of the phantoms, guides, tricksters, bureaucrats, debtors, taxi drivers, relatives, and riddles that will lead to the truth.

This is an uncommonly assured debut: an existential journey; a tragic farce; a slapstick tragedy; and a strange, and strangely honest, story of one man's stubborn quest to find refuge-in this world and in the world that lies beyond it.

Zusammenfassung

"The word in hangman, the game, could be anything. The word in Hangman, the novel, could be a number of things-choice, home, family, heart, foreigner-none of which will allow our cautious (he tries to make his speech have no meaning) anonymous character to win, or at least continue with his cautious, anonymous life. Only the reader here wins, in the sense of being gifted with a wonderfully smart, surprising, and accomplished book . . . Witty, wry, oddly sophisticated."
-Joy Williams, BookPost

"Most immigrant novels of recent vintage share a single plot: a bright and hopeful person from the global south travels to a rich country in the global north and discovers that reality does not resemble their dreams . . . Binyam's tale, instead, foregrounds absence, and invites us to fill in the gaps that recur throughout the novel. In so doing, she is inviting us to question our expectations about these kinds of stories, and to contemplate the possibility that the varied lives of immigrants the world over cannot be rendered effectively in narrative cliches. This is a bold, courageous, and resonant book."
-Tope Folarin, Vulture **(Best Books of 2023)**

"[An] engrossing and shrewd debut novel . . . Binyam pushes into the surreal to reorient readers yet again around basic conceptions of home and family."
-Omari Weekes, Bookforum

"A hazy, dreamlike recollection of his journey (first starting on the plane, where his seatmate dies in her sleep and he has to remain next to her for the duration of the flight). Binyam's narrator, with simple yet funny narration, encounters people who tell him their stories, diving in and out between policy, culture, news, and psychology."
-Sam Franzini, Our Culture

"[Binyam] has built a brilliant illusion, a facade that holds up until the final few pages, when, with a swift and clean twist, she shatters it all and the reader is shocked out of the dreamlike atmosphere. Things fall into place. Many truths emerge . . . With paper and pen, hangman is a guessing game for two or more players. In the novel of the same name, someone's life is on the line. And Binyam keeps us guessing, and second-guessing, until the very end."
-Sana Goyal, The Guardian

"Hangman's narrator, who is unnamed, displays an unwillingness or inability to reconcile his memory with the present state of his country of birth . . . His journey chains together brutal and charming allegories that underline the farcical idiosyncrasies of life as part of a global community, of life in diaspora, jewels that eventually take the shape of a quietly powerful debut from a self-assured writer with a clear point of view."
-Stephen Patrick Bell, Chicago Review of Books

"A tragicomic masterpiece."
-JC Whittington, Politico

"[A] unique, strange trip . . . Binyam's portrait of a man in search of belonging is deeply moving."
-Sally Shivnan, Washington Independent Review of Books

"Binyam's Hangman is a testament to the unspoken effects that diaspora and history have on identity, cross-examining the meaning of possession as it pertains to the self, and what we lose or gain in pursuit of hard-earned truths."
-Vivien Lee, Document Journal

"The first sentence of Maya Binyam's recently released novel Hangman, 'In the morning, I received a phone call and was told to board a flight,' conjures a passive-voiced narrative absence deepened by her choice to leave her narrator unnamed. Yet the novel itself is anything but detached. The humanity of Binyam's protagonist . . . is all the more keenly felt for the details of his life that she leaves blank, and she weaves in more than enough prosaic depth to make a 200-page chronicle of exile, diaspora, belonging, and home-going feel urgent and emotionally resonant."
-Emma Specter, Vogue

"A slim, stark, and captivatingly enigmatic début novel . . . The expectation for an American novel about an African immigrant is that it will perform a task of translation: here is where I come from, and these are the painful circumstances under which I left. "Hangman," with its sphinxlike style, turns a mirror on these demands."
-Julian Lucas, The New Yorker

"Hangman is a ride. It's got a narrator I kept changing my mind about, shifts from thriller to farce, a full-body penny drop, and an ending that made the penny shoot back up with new meaning . . . With the lightest touch and absurdist humor, Maya traces those invisible forces that often pass for, and so create, reality: projection, denial, the shape of history, and the psychic repercussions of structural violence."
-Tavi Gevinson, Interview

"Maya Binyam's exceptional debut novel, Hangman [is] . . . a caustic rendering of immigration, diaspora and deracination . . . A marvel of compr…