Hardy and His Readers

This study examines Hardy's prolonged struggle with his contemporary readers, whose bourgeois values he despised. Initially content to compromise, to provide them with congenial entertainment, Hardy resorted at first to strategies of subversion, smuggling material past his editors and finally to outspoken attack. Professor T. R. Wright attempts to balance historical research into the response of 'actual' readers and the material conditions of publishing with literary-critical analysis of the 'implied' reader inscribed in the novels themselves.

'...Wright's book registers with particular force how the novelist's uneasy relationship with his contemporary audience... left permanent traces in his text... [Wright] makes an absorbing case for a novelist both alert to and critically engaged with the conventions of his form, one whose habitual medium was less a faithful mirror than a refracting glass.' - Bharat Tandon, Times Literary Supplement

Autorentext
T.R. WRIGHT studied at Oxford and Princeton before becoming Professor of English Literature at the University of Newcastle. His books include The Religion of Humanity, Theology and Literature, Hardy and the Erotic, George Eliot's Middlemarch* and D.H. Lawrence and the Bible*.

Inhalt
Acknowledgements Abbreviations Hardy's Contemporary Readers: Some Introductory Questions 'Breaking into Fiction': The Tinsley Novels The Cornhill Stories: 'Healthy Reading for the British Public'? Middling Hardy: Reconsidering His Readers Graphic Tragedies: Writing for Two Audiences Phase the Last: Farewell to Fiction References Index