Haunting in Chinese-Australian Writing

This book examines haunting in terms of trauma, languaging, and the supernatural in works by Chinese Australian writers born in Australia, Mainland China, Hong Kong, Malaysia, and Singapore. It goes beyond the conventional focus on identity issues in the analysis of diasporic writing, considering how the memory of past trauma is triggered by abusive systems of power in the present. The author unpacks how trauma also brings past violence to haunt the present. This book considers how different Chinese diasporic communities present a dynamic and multiple state through partial erasure between different Chinese subcultures and other cultures. Showing the supernatural as a social and cultural product, this book elucidates how haunting as the supernatural refers to the coexistence of, and the competition between, different cultures and powers. It takes a wide-ranging view of different diasporic communities under the banner 'Chinese', a term that refers not only to Chinese nationals in terms of citizenship, but also to the Chinese diaspora in terms of ancestry, and Chinese culture more generally. In analysing haunting in texts, the author positions Chinese culture as in a constant state of flux. It is relevant to literary scholars and students with interests in Australian literature, Chinese and Southeast Asian migration writing, and those with an interest in the Gothic and postcolonial traditions.

Provides a new perspective and approach to the study on Chinese-Australian diasporic writing Goes beyond the conventional focus on identity issues in the analysis of diasporic writing more generally Covers a wider range of Chinese or Asian Australian writers and texts as part of multicutural Australian literature

Autorentext
Dr Xiao Xiong is a lecturer in English literature at Central China Normal University. He was supported by the China Scholarship Council and University of Wollongong to complete his PhD at the University of Wollongong, Australia. He previously studied at Wuhan University in China, where he received the Outstanding Postgraduate Scholarship. He is passionate about both English and Chinese literatures focusing on postcolonialism.

Inhalt

Chapter 1.- Haunting as Trauma in Birds of Passage and Her Father's Daughter.- Chapter 2.- Haunting as Languaging in Ouyang Yu's The English Class and Selected Poetry.- Chapter 3.- Haunting as the Supernatural in The Crocodile Fury and Playing Madame Mao