In-Between Worlds

This book examines the performance of Bauls 'folk' performers from Bengal, in the context of a rapidly globalizing Indian economy and against the backdrop of extreme nationalistic discourses.

This book examines the performance of Bauls, 'folk' performers from Bengal, in the context of a rapidly globalizing Indian economy and against the backdrop of extreme nationalistic discourses.

Recognizing their scope beyond the musical and cultural realm, Sukanya Chakrabarti engages in discussing the subversive and transformational potency of Bauls and their performances. In-Between Worlds argues that the Bauls through their musical, spiritual, and cultural performances offer 'joy' and 'spirituality,' thus making space for what Dr. Ambedkar in his famous 1942 speech had identified as 'reclamation of human personality'. Chakrabarti destabilizes the category of 'folk' as a fixed classification or an origin point, and fractures homogeneous historical representations of the Baul as a 'folk' performer and a wandering mendicant exposing the complex heterogeneity that characterizes this group. Establishing 'folk-ness' as a performance category, and 'folk festivals' as sites of performing 'folk-ness,' contributing to a heritage industry that thrives on imagined and recreated nostalgia, Chakrabarti examines different sites that produce varied performative identities of Bauls, probing the limits of such categories while simultaneously advocating for polyvocality and multifocality.

While this project has grounded itself firmly in performance studies, it has borrowed extensively from fields of postcolonial studies and subaltern histories, literature, ethnography and ethnomusicology, and cosmopolitan studies.

Autorentext

Sukanya Chakrabarti is an artist-scholar and Associate Professor, Theatre Arts, at San Jose State University.

Klappentext

This book examines the performance of Bauls 'folk' performers from Bengal, in the context of a rapidly globalizing Indian economy and against the backdrop of extreme nationalistic discourses.

Inhalt

List of Images

Acknowledgments

Introduction

Chapter 1. Introducing the Bauls

Chapter 2. Rabindranath Tagore and the Bauls: The Representation and Performance of Bauls as Sociopolitical Actors

Chapter 3. The Performance of Baul Festivals: Examining the Nature of `Folk in the Twenty-First Century

Chapter 4. Cosmopolitan Bauls: Not Real, Not Not Real Baul Performances in a `Global Context

Chapter 5. In-Between Borderlines: Exploring Spaces of `Revolutionary Love Within the Baul-Fakir world in Bangladesh

Afterword

Bibliography

Index