Lethal Performances

This book **provides an in-depth analysis of representations of female murderers in modern American drama. Paying close attention to each play's plot, form, and style, the study seeks to come to terms with the dramatic and cultural function of this phenomenon.

Autorentext

Ottilie P. Klein graduated in American Studies, Modern History, and Political Science from the University of Bonn. She also studied English at Mount Holyoke College and graduated in Women s Studies from the University of Oxford. Klein successfully completed a binational doctorate at the University of Gießen and the University of Helsinki.

Inhalt

Cultural representations of female murderers in modern American drama (1910s1980s) Dramatic and cultural function of female murder in Susan Glaspell's Trifles and The Verge (1921) Eugene O'Neill's Mourning Becomes Electra (1931) Sophie Treadwell's Machinal (1928) Joseph Kesselring's Arsenic and Old Lace (1941) Maxwell Anderson's Bad Seed (1954) LeRoi Jones's Dutchman (1964) Maria Irene Fornes's The Conduct of Life (1985) Beth Henley's Crimes of the Heart (1979) Wendy Kesselman's My Sister in This House (1980) Women and Crime, or: Why Sexual Difference Matters, feminist criticism, history of female crime Murder Most Foul: Killing the Angel in the House Murder Most Rare: Postwar American culture, politics of sexual containment, femme fatale, film noir Murder Most Fair: Female Murder as a Catalyst for Social Change