Look Back At Anger: Agit Prop Theatre in Britain

2008 marks 40 years of Red Ladder Theatre Company. In1968, a large number of agit prop theatre companiesmushroomed in Britain. The Agit Prop Street Playerswho later renamed themselves as Red Ladder was one.With time other theatre companies surrendered to andbecame part of theatre history. Not so Red Ladder. Ithas survived and it is now time for a reassessment.Is agit prop theatre dead or alive? How does suchtheatrical practice contribute to society/community?These are only some of the questions the bookexplores. It looks back at all the anger that led tothe emergence of Red Ladder and how it surged aheadas a leading youth theatre company in a multiculturalBritain of today. An analysis of the plays of RedLadder, of their techniques of performance andproduction, an in-depth study of the changingartistic and other policies of the Company are someof the features of this book. The book'sdistinctiveness lies in the textual analysis of theplays and the investigative nature of the researchundertaken. To anyone interested in theatre history,past and presently in the making, whether as apractitioner or for purely academic purposes, thisbook will be insightful.

Autorentext

Swati Pal, PhD: Reader in English, Delhi University College; Studied Literature at JNU, New Delhi; John McGrath Scholar, 2005 at Edinburgh University; Charles Wallace Scholar, 1997 and 2008; Published on British, European and Indian Theatre in national and international publications; Researched extensively on Agit-Prop in Britain and India

Klappentext
2008 marks 40 years of Red Ladder Theatre Company. In 1968, a large number of agit prop theatre companies mushroomed in Britain. The Agit Prop Street Players who later renamed themselves as Red Ladder was one. With time other theatre companies surrendered to and became part of theatre history. Not so Red Ladder. It has survived and it is now time for a reassessment. Is agit prop theatre dead or alive? How does such theatrical practice contribute to society/community? These are only some of the questions the book explores. It looks back at all the anger that led to the emergence of Red Ladder and how it surged ahead as a leading youth theatre company in a multicultural Britain of today. An analysis of the plays of Red Ladder, of their techniques of performance and production, an in-depth study of the changing artistic and other policies of the Company are some of the features of this book. The book's distinctiveness lies in the textual analysis of the plays and the investigative nature of the research undertaken. To anyone interested in theatre history, past and presently in the making, whether as a practitioner or for purely academic purposes, this book will be insightful.