Marginality Beyond Return

This study is an exploration of US Cuban theatrical performances written and staged primarily between 1980 and 2000.

Autorentext

Lillian Manzor is an associate professor of Modern Languages and Literatures at the University of Miami's College of Arts and Sciences, Faculty lead for Latin American and Caribbean Research at the University of Miami Institute for Advanced Study of the Americas, USA, and founding director of the Cuban Theater Digital Archive.

Inhalt

Acknowledgements

1. Introduction

2. Chapter 1: Uno: Mister, Don't Touch the Banana: Transculturation, Networks of Proximity, and US Cuban Theater

3. Chapter 2: Dos: Momento renacentista: US Cubans and Latine Off-Off-Broadway

4. Chapter 3: Tres: ¡Ay mama Inés!: Gender, Ethnicity, Blackness, and Racism

5. Chapter 4: Cuatro: La vida en rosa: Carmelita Tropicana's Performative Excess

6. Chapter 5: Cinco: ''Todos por lo mismo'': From Bridges to Greater Cuba Index