Museums and Societal Collapse

Museums and Societal Collapse explores the implications of societal collapse from a multidisciplinary perspective and considers the potential museums have to contribute to the reimagining and transitioning of a new society in the face of collapse.

Museums and Societal Collapse explores the implications of societal collapse from a multidisciplinary perspective and considers the potential museums have to contribute to the reimagining and transitioning of a new society with the threat of collapse.

Arguing that societal collapse is underway, but that total collapse is not inevitable, Janes maintains that museums are well-positioned to mitigate and adapt to the disruptions of societal collapse. As institutions of the commons, belonging to and affecting the public at large, he contends that museums are both responsible and capable of contributing to the durability and well-being of individuals, families, and communities, and enhancing societal resilience in the face of critical issues confronting our species. Within the pages of this groundbreaking book, Janes demonstrates how museums and their staff, as key civic resources with ethical responsibilities, can examine the meaning and value of their work, how that work is organized and managed, and to what end. This is a call to action, demonstrating how museums can move the conversation about collapse into society at large.

Museums and Societal Collapse will be essential reading for museum professionals working in museums and galleries, as well as for cultural and civil society organizations around the world. It will also be an essential reading for academics and students of Museum and Heritage Studies, Gallery Studies, Heritage Management, and Arts Management.

Autorentext

Robert R. Janes is an independent scholar/practitioner; editor-in-chief emeritus of the journal Museum Management and Curatorship; a visiting research fellow at the School of Museum Studies at the University of Leicester, UK, and the founder of the Coalition of Museums for Climate Justice. His museum publications have been translated into ten languages. He lives in Canmore, Alberta, Canada.

Inhalt

Introduction 1. Harbingers of collapse 2. The anatomy of collapse 3. The myth of sustainability 4. Why museums? 5. The museum as lifeboat 6. Afterthoughts 7. Coda