Music as Labour

This book brings together research at the intersection of music, cultural industries, management, politics and gender studies to analyse music as labour, in particular highlighting social inequalities and activism.

Autorentext

Dagmar Abfalter is Associate Professor in the Department of Cultural Management and Gender Studies at mdw University of Music and Performing Arts Vienna, Austria.

Rosa Reitsamer is Professor of Music Sociology in the Department of Music Sociology at mdw University of Music and Performing Arts Vienna, Austria.

Inhalt

1 Ironworks as Venues of Music Production: The Ostrava/Vítkovice Case from the 1890s to the 1910s Fritz Trümpi 2 From Bohemia to the Balkans: Towards a Socioeconomic History of Itinerant Women Musicians, 18601889 Nuppu Koivisto 3 The MGM Lion's Ominous Roar: (New) Technologies and the Disappearing Profession of Silent Movie Theatre Musicians in Croatia of the Late 1920s Mojca Pikor 4 'Work that Body': Disco, Counterculture and the Promise of the Transformation of Work Tim Lawrence 5 Hope, Labour and Privilege in American New Music John R. Pippen 6 A Lockdown Recording Project: Jazz Musicians and Metaphors for a Working Life Michael L. Jones 7 Emotional and relational labour in music from a feminist perspective Emília Barna 8 Afghan Pop in Europe. Migration, Affect, and Musical Labour Marko Kölbl 9 'It's a Kind of Macho Culture': Changes and Continuities in Young Female Musicians' Talk about Inequalities Christina Scharff 10 Women Working in the Music Business: An Alumni Study Sally Anne Gross 11 Musicians of the World Unite! The Initial Years of the International Federation of Musicians Martin Cloonan 12 Towards More Inclusion in the Music Industry Sophie Hennekam 13 Moving Beyond @operaisracist: Exploring Black Activism as a Pathway to Antiracism and Creative Justice in Opera Antonio C. Cuyler