Music in Contemporary French Cinema

Features new concept of the 'crystal song' First book-length study on music in contemporary French cinema Investigates music as a marker of community and interrelationships between music and gender, songs sung in English and French

Autorentext
Phil Powrie is Professor of Cinema Studies at the University of Surrey, UK, Chair of the British Association of Film Television and Screen Studies. He has published widely on French cinema and is the Chief General Editor of the journal Studies in French Cinema.

Inhalt

1. Chapter 1 Introduction.- 2. Chapter 2 Space.- 3. Chapter 3 Gender.- 4. Chapter 4 Performance.- 5. Chapter 5 Time.- 6. Chapter 6 Hearing.- 7. Chapter 7 Seeing.- Chapter 8 Conclusion.