Musics with and after Tonality

This volume is a journey through musics that emerged at the turn of the 20th Century and were neither exclusively tonal nor serial. Works include those by Frank Bridge, Ferruccio Busoni, Mikalojus Konstantinas Ciurlionis, Rebecca Clarke, and more.

Autorentext

Paul Fleet is a Senior Lecturer in Music at Newcastle University, UK with research specialty in Authentic Music Theory. He is also a QAA Subject Expert and Reviewer, HEA-qualified External Examiner, Senior Fellow of the HEA all whilst remaining a music theory lecturer, keynote popular-music education speaker, and a published author.

Inhalt

Introduction

1. Mining the Gap of Musics with and after Tonality
   Paul Fleet (Newcastle University, UK)

2. Mining the Gap: What Gap?
   Alistair Hinton (Composer and founder of the Sorabji Archive, UK)

3. Savage Minds in British Early-Twentieth Century Music

Annika Forkert (Royal Northern College of Music, UK)

4. Space and Structure in Metatonal Musics
   Paul Fleet (Newcastle University, UK)

5. Carl Nielsen's Musical Vitalism
   Christopher Tarrant (Newcastle University, UK)

6. 'The cautious experiments of M. K. iurlionis (1875-1911): tonalities and realisms in his art and music'
   George Kennaway (Performer and Conductor, UK)

7. J.S. Bach and Metatonality in the Early Piano Pieces of Ferruccio Busoni
   Erinn Knyt (University of Massachusetts Amherst, USA)

8. Ferrruccio Busoni - mirror and enigma: transcendence and the later piano works

Fred Scott (City, University of London, UK)

9. Diatonic refraction through metatonal spaces
   Kenneth Smith (University of Liverpool, UK)

10. Transformed Desire: Scriabin's Transition Away from Functional Tonality
    Jeff Yunek (Kennesaw State University, USA)

11. Musicology, Mediation, Metatonality: Rethinking the Music of Rebecca Clarke and Erwin Schulhoff
    Chris Dromey (Middlesex University, UK)