Nationes-Begriffe im mittelalterlichen Musikschrifttum

Musical publishing in the Middle Ages is replete with terms relating to gentes or nationes, thereby indicating the internal regional nature of medieval music. To the extent possible, this book attempts to uncover the meaning of such evidence from 800 to 1400 and thus address the specific historical, musical, and political significance of the use of community labels.

Autorentext

Frank Hentschel, University of Cologne.