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Parnassianism
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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Parnassianism (or less commonly Parnassism) was a literary style characteristic of certain French poetry during the positivist period of the 19th century, occurring between romanticism and symbolism. The name is derived from the original Parnassian poets'' journal, Le Parnasse contemporain, itself named after Mount Parnassus, home of the Muses in Greek mythology. The anthology was issued between 1866 to 1876, including poems by Charles Leconte de Lisle, Théodore de Banville, Sully Prudhomme, Stephane Mallarmé, Paul Verlaine, François Coppée and José María de Heredia. The Parnassians were influenced by Théophile Gautier and his doctrine of art for art''s sake. In reaction to the looser forms of romantic poetry, and what they saw as excessive sentimentality and undue social and political activism in Romantic works, the Parnassians strove for exact and faultless workmanship, selecting exotic and classical subjects which they treated with rigidity of form and emotional detachment. Elements of this detachment were derived from the philosophical work of Arthur Schopenhauer.
Weitere Informationen
- Allgemeine Informationen
- Editor Lambert M. Surhone, Mariam T. Tennoe, Susan F. Henssonow
- Titel Parnassianism
- Format Fachbuch
- EAN 9786131257056
- Größe H220mm x B220mm
- Genre Sprach- und Literaturwissenschaften
- Anzahl Seiten 128
- Herausgeber Betascript Publishing
- GTIN 09786131257056
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