Performing Statelessness in Europe

Interrogates the way in which artistic works can challenge prejudice against stateless and dispossessed people
Explores a range of artistic works, from adaptations of Greek tragedy to documentary dramas
Offers an account of performance methods that have sought to challenge and criticise governmental and transnational failings

Autorentext

S. E. Wilmer is Professor Emeritus in Drama and former Head of the School of Drama, Film and Music at Trinity College Dublin, Ireland. He has been Visiting Professor at Stanford University and UC Berkeley and Research Fellow at the International Research Centre for Interweaving Performance Cultures at the Freie Universität, Berlin. He is the author of Theatre, Society and the Nation.

Inhalt
Introduction.- 1. Recontextualization and Adaptation of Ancient Greek Dramas.- 2. Performative Identification in Fictional Accounts.- 3. Documentary Theatre by and about Refugees.- 4. Unwed Mothers, Asylums and Immersive Theatre.- 5. Creating Dissensus and Cross-identification.- 6. Subversive Identification and Over-identification.- 7. Two Approaches to Nomadism: Fluxus and Théâtre du Soleil.- 8. The Institutional Response of the German Theatre.- Conclusion.