Policing the World on Screen

This book analyzes Hollywood storytelling that features an American crimefighterwhether cop, detective, or agentwho must safeguard society and the nation by any means necessary. That often means going rogue and breaking the rules, even deploying ugly violence, but excused as self-defense or to serve the greater good. This ends-justifies-means approach dates back to gunfighters taming the western frontier to urban cowboy cops battling urban savageryfirst personified by Dirty Harry Callahanand later dispatched in global interventions to vanquish threats to national security. America as the world's policeman often means controlling the Other at home and abroad, which also extends American hegemony from the Cold War through the War on Terror. This book also examines pioneering portrayals by males of color and female crimefighters to embody such a social or national defender, which are frustrated by their existence as threats the white knight exists to defeat.

Focuses on a recurring Hollywood narrative that showcases a rugged individual, usually a white, male with few ties to family but a profound connection to freedom Looks at how and why the archetype was born and what the archetype's endurance reveals about the American mindset, from the nation's ascendency through its continuing struggle to remain an effective and preeminent global superpower Draws attention to the mutual reinforcement of cultural products and American political discourse that either advocate or critique a similar rogue mentality Establishes a working model that unpacks the key identity factors and moral imperative at the core of American crimefighter narratives, which will serve as an effective analytical framework to apply to future screen stories

Autorentext

Marilyn Yaquinto was an interdisciplinary professor at Truman State University and former journalist who shares in the Los Angeles Times' Pulitzer Prize*for coverage of the 1992 riots. She is also author of Pump 'Em Full of Lead: A Look at Gangsters on Film* and co-editor of books about race in media.

Inhalt

1. Introduction.- 2. Frontier Ambitions and Cowboy Narratives.- 3. Dirty Harry and the Urban Frontier.- 4. Black Crimefighters: Portraits in Blue.- 5. Female Crimefighters Defending the Homefront.- 6. Becoming American: Ethnic Others as Crimefighting Heroes.- 7. Globocops, La Frontera, and America's War on Drugs.- 8. The War on Terror, Homegrown Racism, and the White Knight.- 9. Recruiting the Other as Globocops.- 10. Policing the World: The Last (White) American Standing.