Political Music

The book aims to indicate the legitimizing and contestatory function of music, which being universally present in the public space plays a vital role in political and social relations. Primarily, it can consolidate the status quo, but also, more interestingly, it can become a tool of changing the system.

In the 12 chapters of this book the authors argue for the universal presence of music in public space and social relations. The examples of American, British, Hungarian, Polish and Russian music serve to elucidate two functions of political music, that of legitimizing and contesting political power. Both satirical songs with their ironic commentary on specific events and people as well as protest songs undermining the system corroborate the universal character of the legitimizing and delegitimizing function of music. The book is addressed to readers interested in countercultural movements and politically engaged music, especially to students of political studies, sociology and cultural studies.

Autorentext

Tomasz Bichta, Ph.D., is Assistant Professor at the Faculty of Political Science and Journalism at the Maria Curie-Sk odowska University in Lublin, Poland. His research interests are political systems, and politico-cultural transformations in African countries. Anna Szwed-Walczak, Ph.D., is Assistant Professor at the Faculty of Political Science and Journalism at the Maria Curie-Sk odowska University. Her research interests are political communication with focus on the Polish national movement.

Inhalt

political music legitimization delegitimization political calculation Russian shanson cabaret song politician's image political leadership political utopia acid rock contestation irony ambiguity Hungarian rock bands nemzeti rock Critical Race Theory political violence racism revolution