Postcolonial Modernity and the Indian Novel

This book argues that modernity in postcolonial India has been synonymous with catastrophe and crisis. Focusing on the literary works of the 1943 Bengal Famine, the 196772 Naxalbari Movement, and the 197577 Indian Emergency, it shows that there is a long-term, colonially-engineered agrarian crisis enabling these catastrophic events. Novelists such as Bhabani Bhattacharya, Mahasweta Devi, Salman Rushdie, Rohinton Mistry, Nabarun Bhattacharya, and Nayantara Sahgal, among others, have captured the relationship between the long-term crisis and the catastrophic aspects of the events through different aesthetic modalities within realism, ranging from analytical-affective, critical realist, quest modes to apparently non-realist ones such as metafictional, urban fantastic, magical realist, and others. These realist modalities are together read here as postcolonial catastrophic realism.

Explores for the first time the postcolonial English and non-anglophone Indian novel through the lens of crisis and catastrophe Examines novels by canonical authors such as Salman Rushdie and Rohinton Mistry alongside more rarely-studied authors such as Nayantara Sahgal, Bhabani Bhattacharya, Mahasweta Devi, Amalendu Chakraborty, and Nabarun Bhattacharya Draws upon and brings in some of the contemporary debates on ecological and resource crisis, disasters, materialist postcolonial studies, world-literature, and literary activism

Autorentext
Sourit Bhattacharya is Lecturer in Postcolonial Studies at the University of Glasgow, Scotland. He is a co-editor of Nabarun Bhattacharya (2020) and Sanglap: Journal of Literary and Cultural Inquiry.

Inhalt

Ch. 1: Modernity, Catastrophe, and Realism in the Postcolonial Indian Novel.- Ch. 2: Disaster and Realism: The Novels of the 1943 Bengal Famine.- Ch. 3: Interrogating the Naxalbari Movement: Mahasweta Devi's Quest Novels.- Ch. 4: The Aftermath of the Naxalbari Movement: Nabarun Bhattacharya's Urban Fantastic Tales.- Ch. 5: Writing the Indian Emergency: Magical and Critical Realism.- Ch. 6: Conclusion.