Queenie: Godmother of Harlem

BLACK HEROINE: Queenie features a female Black main character who, though not always good, fiercely advocated for Black rights during a time of segregation and racism.MEGASCOPE ON THE RISE: Queenie will be the newest addition to the Megascope line, which began with the publication of Across the Tracks and looks to feature Black speculative fiction and shed light on forgotten Black histories.AMAZING CREATIVE TEAM: Levy and Columbo deliver a sharp noir story with beautiful black-and-white graphic art.UPCOMING TV ADAPTATION: The book has been optioned for a live-action TV adaptation by a major Hollywood studio, and an A-list star is attached to play the leading role.

Autorentext

From Martinique descent, born and raised in France, Elizabeth Colomba is a representational artist living in New York City. Her previous years as a storyboard artist for Hollywood came in handy to transition from figurative painting to imagining a graphic novel with a cinematic quality. Specialized in postcolonial art, dedicated to reinstalling and liberating the Black body from traditionally restrictive storylines, Colomba analyzes the construction of identity and tangled interrelationship between past and present in our collective identity today. Her works have been exhibited in institutions such as The Met and LACMA and are part of the permanent collection of the Studio Museum in Harlem, the Park Avenue Armory, Yale University, Pennsylvania Academy of the Fine Arts, and JP Morgan.

Aurelie Levy is a screenwriter, novelist, and documentary filmmaker. Born and raised in France, she pursued her higher education in Japan at the prestigious ICU in Tokyo where she studied history. She then extended her film and history studies at UCLA where she met Elizabeth Colomba. She then went on to write and direct six feature-length documentaries. For the past 20 years she has traveled around the globe unveiling relevant stories and addressing current issues. Among the subjects she has tackled are celebrity culture, international adoption, and men in the #MeToo era. Levy writes screenplays and TV series for French and US productions and hosts a podcast on writing with the largest literary media company in France. Other books by the author include the novel And the Oscar Goes To (2012) and The 21st Man (2021).

Klappentext

"Queenie follows the life of Stephanie Saint-Clair-the infamous criminal who made herself a legend in Harlem in the 1930s. Born on a plantation in the French colony of Martinique, Saint-Clair left the island in 1912 and found success in New York, rising up through poverty and battling extreme racism to become the ruthless queen of Harlem's mafia and a fierce defender of the Black community. A racketeer and a bootlegger, Saint-Clair dedicated her wealth and compassion to the struggling masses of Harlem, giving loans and paying debts to those around her. But with Prohibition ending, and under threat by Italian mobsters seeking to take control of her operation, she launched a merciless war to save her territory and her skin. Author Aurelie Levy and co-writer and illustrator Elizabeth Colomba's meticulous details-in both story and art-bring Saint-Clair's story to life in a tense narrative, against a sometimes bloody backdrop of jazz and voodoo. The story tackles the themes of colonization, corruption, police violence, and racial identity, but above all, Queenie celebrates the genius of a woman forgotten by history"--

Zusammenfassung

An NAACP Image Award Nominee, Queenie: Godmother of Harlem is a historical graphic novel inspired by the life of legendary mobster Stephanie Saint-Clair, the infamous criminal who made herself a legend in the 1930s.

“It’s original, entertaining, riveting, moving. A beautiful piece of art, a must-read!” —Whoopi Goldberg

Born on a plantation in the French colony of Martinique, Stephanie Saint-Clair left the island in 1912 and headed for the United States, eager to make a new life for herself. In New York she found success, rising up through poverty and battling extreme racism to become the ruthless queen of Harlem’s mafia and a fierce defender of the Black community.

A racketeer and a bootlegger, Saint-Clair dedicated her wealth and compassion to the struggling masses of Harlem, giving loans and paying debts to those around her. But with Prohibition ending, and under threat by Italian mobsters seeking to take control of her operation, she launched a merciless war to save her territory and her skin. In an America still swollen by depression and segregation, Saint-Clair understood that her image was a tool she could use to establish her power and wield as a weapon against her opponents.

Authors Elizabeth Colomba and Aurelie Levy’s meticulous details—in both story and art—bring Saint-Clair’s story to life in a tense narrative, against a sometimes bloody backdrop of jazz and voodoo. The story tackles the themes of colonization, corruption, police violence, and racial identity, but above all, Queenie celebrates the genius of a woman forgotten by history.